El comandante de Auschwitz, Rudolf Höss, y su esposa Hedwig, se esfuerzan por construir una vida de ensueño para su familia en una casa y un jardín junto al campo.El comandante de Auschwitz, Rudolf Höss, y su esposa Hedwig, se esfuerzan por construir una vida de ensueño para su familia en una casa y un jardín junto al campo.El comandante de Auschwitz, Rudolf Höss, y su esposa Hedwig, se esfuerzan por construir una vida de ensueño para su familia en una casa y un jardín junto al campo.
- Ganó 2 premios Óscar
- 61 premios ganados y 171 nominaciones en total
Slava the Dog
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- (as Slava)
- Dirección
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- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaHedwig tells her friends she got a coat from "Canada," mocking another woman who thought she meant the country. Kanada was the name given to Auschwitz's vast storehouse of goods confiscated from the prisoners.
- ErroresIn the film, Höss' birthday celebration appears to happen during the summer. Hoss was actually born on November 25. Flowers would not be blooming in November, nor would anyone be swimming outdoors.
- Citas
Hedwig Höss: I could have my husband spread your ashes across the fields of Babice.
- Créditos curiososAfter the opening title card fades, the screen stays black for over two minutes
- ConexionesFeatured in 2024 EE BAFTA Film Awards (2024)
- Bandas sonorasChinesische Straßenserenade
Written by Ludwig Seide
Performed by students from the University of Michigan School of Music, Theatre & Dance
Conducted by Oriol Sans
Arranged by Members of the Auschwitz I Men's Orchestra
Licensed with kind permission of Richard Birnbach GmbH & Co. KG & University of Michigan School of Music, Theatre & Dance
Opinión destacada
The Zone of Interest takes a unique angle in approaching the Holocaust. Certainly an angle I haven't seen before in a film. This different approach gives the film a really sinister quality that frames the evils of the Holocaust in a new and terrifying way.
It achieves this approach through stark juxtaposition. It compares the relatively banal, matter-of-fact homemaking of the Hoss family against the utterly horrendous tragedy being perpetrated just over their garden wall. By doing this, it is not an overly graphic or in your face film. Instead, the violence and evil is primarily heard and not seen, as the horrifying sounds of the camp constantly bleed into the Hoss family home. It is in this way that the film makes its mark. To have such tragedy and horror ignored by this family and their guests. To normalise the mass murder over the garden wall. The glib and matter of fact way it is treated by them all. That is where the horror lies.
Whilst this is all a very effective way of framing the horrors of the Holocaust, I do think this film lacks any storytelling merit. There is no real plot to speak of, so once the point the film is making has been made it is easy to want it to be over so as not to sit with these evil characters and horrendous events for too long.
Then again it is a tricky point because I think this is definitely a story worth telling. Looking at the Holocaust from this angle to understand how normalised it became to certain people is vital to reflect on, but I'm not sure if a feature film was necessary to convey this.
So overall, I thoroughly appreciate what this film was doing and the angle it took. The direction is class in creating this juxtaposition and drilling this point home, but beyond it's core message there is nothing in this film to get stuck into. No real plot. No characters you want to understand or connect with. As a result it feels like it overextended itself as a film, but delivers it's message nonetheless.
It achieves this approach through stark juxtaposition. It compares the relatively banal, matter-of-fact homemaking of the Hoss family against the utterly horrendous tragedy being perpetrated just over their garden wall. By doing this, it is not an overly graphic or in your face film. Instead, the violence and evil is primarily heard and not seen, as the horrifying sounds of the camp constantly bleed into the Hoss family home. It is in this way that the film makes its mark. To have such tragedy and horror ignored by this family and their guests. To normalise the mass murder over the garden wall. The glib and matter of fact way it is treated by them all. That is where the horror lies.
Whilst this is all a very effective way of framing the horrors of the Holocaust, I do think this film lacks any storytelling merit. There is no real plot to speak of, so once the point the film is making has been made it is easy to want it to be over so as not to sit with these evil characters and horrendous events for too long.
Then again it is a tricky point because I think this is definitely a story worth telling. Looking at the Holocaust from this angle to understand how normalised it became to certain people is vital to reflect on, but I'm not sure if a feature film was necessary to convey this.
So overall, I thoroughly appreciate what this film was doing and the angle it took. The direction is class in creating this juxtaposition and drilling this point home, but beyond it's core message there is nothing in this film to get stuck into. No real plot. No characters you want to understand or connect with. As a result it feels like it overextended itself as a film, but delivers it's message nonetheless.
- ethanbresnett
- 28 ene 2024
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- How long is The Zone of Interest?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- The Zone of Interest
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 15,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 8,659,464
- Total a nivel mundial
- USD 52,634,610
- Tiempo de ejecución1 hora 45 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
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