CALIFICACIÓN DE IMDb
8.4/10
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Agrega una trama en tu idiomaBiography of Savitri, an actress from South India movie industry, who ruled the industry for two decades during 50s and 60s.Biography of Savitri, an actress from South India movie industry, who ruled the industry for two decades during 50s and 60s.Biography of Savitri, an actress from South India movie industry, who ruled the industry for two decades during 50s and 60s.
- Premios
- 22 premios ganados y 13 nominaciones en total
Samantha Ruth Prabhu
- Madhuravani
- (as Samantha Akkineni)
Rajendra Prasad
- K.V. Chowdary
- (as Dr. Rajendra Prasad)
Bhanupriya
- Durgamba
- (as Bhanu Priya)
Irfan Ahmed Syed
- Prithivirajkapoor
- (as Irfan)
Naga Chaitanya Akkineni
- Akkineni Nageswara Rao (ANR)
- (as Naga Chaitanya)
Malvika Nair
- Alimelu
- (as Malavika Nair)
Radha Krishna Jagarlamudi
- K.V. Reddy
- (as Krish)
Tharun Bhascker Dhaassyam
- Singeetham Srinivasa Rao
- (as Tharun Bhascker)
Argumento
¿Sabías que…?
- TriviaSavithri's marriage to Gemini Ganeshan got revealed to public when she accidentally signed the LUX contract as Savithri Ganeshan.
- ErroresWhen Savithri was approached by Chakrapani for convincing her to accept role in Mayabazar, she was shown hearing the song "aduthu paduthu pani chestunte" in radio. That song was from the film Thodikodallu which was signed and filmed much later to Mayabazar, though released two months earlier.
- ConexionesSpoofed in Thamizh Padam 2 (2018)
- Bandas sonorasMooga Manasulu (Telugu)
Composed by - Mickey J. Meyer
Lyrics by - Sirivennela Seetharama Sastry
Performed by - Shreya Ghoshal, Anurag Kulkarni
Duration - 4:19
Opinión destacada
I wanted to give it 9 stars because movie did take artistic liberty with a few of the scenes, but I have nothing but praise for how they went about making this film.
The parallel story to help us connect with the past is brilliant story telling. The research done by the costume department paired with the cinematography of Dani Sanchez-Lopez gives us the closest one can come to time traveling into the past while staying put. Venkateswara Rao Kotagiri's editing features seamless transitions when switching between time periods and helps with Savithri's aging process without abrupt change. The soundtracks and background music isn't you typical people breaking into song and dance but an extension to the emotions experienced by the characters. The director can pat his back for the casting. You have given a chance for Keerthi to show her acting skills. The support cast did a great job too. Samanth's dialog delivery at the end of the film gave me goosebumps. DQ's performance as a charmer translated across the screen.
This is the sort of cinema I have been waiting for. If film making is one of the prominant art forms of contemporary telugu people, the commercial mass films do little to progress the art form. There is art for art's sake. There is art for a reason. This film is definitely the latter. I have often wondered how we went from the likes of Satyajit Ray to what we have today. This film is what I have missed for a long time. It makes me proud of my heritage. I cant wait to watch some of the older films featured in this film.
It left me teary eyed and stronger somehow. Thank you Nag Ashwin for this work. I will follow your career closely from now on.
The parallel story to help us connect with the past is brilliant story telling. The research done by the costume department paired with the cinematography of Dani Sanchez-Lopez gives us the closest one can come to time traveling into the past while staying put. Venkateswara Rao Kotagiri's editing features seamless transitions when switching between time periods and helps with Savithri's aging process without abrupt change. The soundtracks and background music isn't you typical people breaking into song and dance but an extension to the emotions experienced by the characters. The director can pat his back for the casting. You have given a chance for Keerthi to show her acting skills. The support cast did a great job too. Samanth's dialog delivery at the end of the film gave me goosebumps. DQ's performance as a charmer translated across the screen.
This is the sort of cinema I have been waiting for. If film making is one of the prominant art forms of contemporary telugu people, the commercial mass films do little to progress the art form. There is art for art's sake. There is art for a reason. This film is definitely the latter. I have often wondered how we went from the likes of Satyajit Ray to what we have today. This film is what I have missed for a long time. It makes me proud of my heritage. I cant wait to watch some of the older films featured in this film.
It left me teary eyed and stronger somehow. Thank you Nag Ashwin for this work. I will follow your career closely from now on.
- meenaManasa
- 10 may 2018
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- USD 3,650,000 (estimado)
- Total a nivel mundial
- USD 279,078
- Tiempo de ejecución2 horas 57 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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