CALIFICACIÓN DE IMDb
7.6/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaCharlie is an immigrant who endures a challenging voyage and gets into trouble as soon as he arrives in America.Charlie is an immigrant who endures a challenging voyage and gets into trouble as soon as he arrives in America.Charlie is an immigrant who endures a challenging voyage and gets into trouble as soon as he arrives in America.
- Premios
- 1 premio ganado en total
Janet Sully
- Passenger
- (as Janet Milly Sully)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
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- TriviaThe scene in which Charles Chaplin's character kicks an immigration officer was cited later as "evidence" of his anti-Americanism when he was forced to leave the United States during the McCarthy "Red Scare" period in the 1950s.
- ErroresAn axe disappears off a wall between shots during the craps game. Chaplin originally shot a gag using the axe (photos of this sequence exist), but cut it from the final film, which created a continuity error.
- Citas
Title Card: The arrival in the Land of Liberty.
- Versiones alternativasHenry Bergman was originally cast as the Head Waiter and extensive footage was shot before Chaplin recast the role with Eric Campbell. This unused footage appeared in the documentary series The Unknown Chaplin, along with bloopers and alternate takes from this film. A 1960s 8mm home movie release of this film was retitled "Broke" and contained most of the Restaurant sequence, from the Tramp entering the establishment, to realizing he has no money and seeing the Head Waiter beat up a non-paying customer. After the advent of sound, the film was reissued with sound effects added.
- ConexionesEdited into The Charlie Chaplin Festival (1941)
Opinión destacada
Chaplin plays an immigrant on a ship bound for America. While on the ship, he helps a fellow immigrant, Edna Purviance, whose mother had been robbed. Chaplin meets Purviance later at a restaurant where they are spotted by an artist who hires them to be models. Chaplin uses the advance to buy a wedding license.
"The Immigrant" is generally considered to be one of Chaplin's finest shorts. That is true. It is one of his funniest. However, I do not consider it as finely-crafted on the whole as many of the other Mutual films. "The Immigrant" feels like two separate one-reelers, featuring the some of the same characters, strung together. We have a shipboard reel and a restaurant reel. The only common characters from both segments are Chaplin and Purviance. (I don't count members of the stock company who appear in both segments as different characters.) There is no overarching plot combining the segments, and the film also suffers from the lack of a consistent heavy throughout. This weak story structure hampers the overall effectiveness of the short, but doesn't detract too much from comedy. The first segment has some of the more elaborate gags, like eating dinner on the wave-tossed ship, but I prefer the more subtle humor of the second half as Chaplin tries to figure out how to avoid the wrath of his tough waiter when he discovers he doesn't have any money to pay for his meal.
Much political hay is made of Chaplin kicking the immigration officials after the ship passes the Statue of Liberty. Leftist supporters look at it as an early example of his "heroic" anti-totalitarian political sentiments, while critics take it as a nasty, early anti-American statement. I believe both groups are guilty of wrongly transposing the political sensibilities of the late-forties and early- fifties back into the teens. Robinson's excellent book "Chaplin: His Life and Art" thoroughly examines the issue and shows that Chaplin intended no political message. (Write something like that on the Chaplin newsgroup and watch people argue for months!)
Charlie, however, would have plenty of time for politics later!
"The Immigrant" is generally considered to be one of Chaplin's finest shorts. That is true. It is one of his funniest. However, I do not consider it as finely-crafted on the whole as many of the other Mutual films. "The Immigrant" feels like two separate one-reelers, featuring the some of the same characters, strung together. We have a shipboard reel and a restaurant reel. The only common characters from both segments are Chaplin and Purviance. (I don't count members of the stock company who appear in both segments as different characters.) There is no overarching plot combining the segments, and the film also suffers from the lack of a consistent heavy throughout. This weak story structure hampers the overall effectiveness of the short, but doesn't detract too much from comedy. The first segment has some of the more elaborate gags, like eating dinner on the wave-tossed ship, but I prefer the more subtle humor of the second half as Chaplin tries to figure out how to avoid the wrath of his tough waiter when he discovers he doesn't have any money to pay for his meal.
Much political hay is made of Chaplin kicking the immigration officials after the ship passes the Statue of Liberty. Leftist supporters look at it as an early example of his "heroic" anti-totalitarian political sentiments, while critics take it as a nasty, early anti-American statement. I believe both groups are guilty of wrongly transposing the political sensibilities of the late-forties and early- fifties back into the teens. Robinson's excellent book "Chaplin: His Life and Art" thoroughly examines the issue and shows that Chaplin intended no political message. (Write something like that on the Chaplin newsgroup and watch people argue for months!)
Charlie, however, would have plenty of time for politics later!
- hausrathman
- 6 ene 2004
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- A Modern Columbus
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución30 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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Principales brechas de datos
By what name was The Immigrant (1917) officially released in Canada in English?
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