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7.2/10
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Agrega una trama en tu idiomaA frail waif, abused by her brutal boxer father in London's seedy Limehouse District, is befriended by a sensitive Chinese immigrant with tragic consequences.A frail waif, abused by her brutal boxer father in London's seedy Limehouse District, is befriended by a sensitive Chinese immigrant with tragic consequences.A frail waif, abused by her brutal boxer father in London's seedy Limehouse District, is befriended by a sensitive Chinese immigrant with tragic consequences.
- Premios
- 1 premio ganado en total
Lillian Gish
- Lucy - The Girl
- (as Miss Lillian Gish)
Richard Barthelmess
- Cheng Huan - The Yellow Man
- (as Mr. Richard Barthelmess)
Edward Peil Sr.
- Evil Eye
- (as Edward Peil)
Ernest Butterworth
- Secondary Role
- (sin créditos)
Frederic Hamen
- Secondary Role
- (sin créditos)
Wilbur Higby
- London Policeman
- (sin créditos)
Man-Ching Kwan
- Buddhist Monk
- (sin créditos)
Bobbie Mack
- Ringside Employee
- (sin créditos)
Moy Ming
- Minor Role
- (sin créditos)
Steve Murphy
- Fight Spectator
- (sin créditos)
George Nichols
- Police Constable
- (sin créditos)
Karla Schramm
- Burrows' Girlfriend
- (sin créditos)
Bessie Wong
- Girl in China
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaThe film was produced by D.W. Griffith for Adolph Zukor's Artcraft company, a subsidiary of Paramount Pictures. However, when Griffith delivered the final print of the film to Zukor, the producer was outraged. "How dare you deliver such a terrible film to me!" Zukor raged. "Everybody in the picture dies!" Infuriated, Griffith left Zukor's office and returned the next day with $250,000 in cash, which he threw on Zukor's desk. "Here," Griffith shouted, "If you don't want the picture, I'll buy it back from you." Zukor accepted the offer, thus making this the first film released by United Artists, the production company formed in 1919 by Mary Pickford, Charles Chaplin, Douglas Fairbanks, and Griffith. It was a remarkably successful film, both critically and at the box office.
- ErroresThe intertitles state, "The Buddha says, 'What thou dost not want others to do thee, do thou not to others.'" It was actually not the Buddha but Confucius' teaching.
- Citas
Lucy Burrows: Don't do it, Daddy! You'll hit me once too often - and then they'll - they'll hang yer!
- ConexionesFeatured in The Philco Television Playhouse: The Birth of the Movies (1951)
Opinión destacada
The subjects this film deals with are ugly, but the whole thing is done in a beautiful way.
Subjects dealt with are racism, poverty and the reasons why.
The way Griffith deals with these subjects is the contrasts settings. Look at the room above the Chinaman's shop: opulent, festooned with the finest oriental silk. Compare that with the stark squalor of the abode of Lucy and her bruiser of a father. Then there is the education and sophistication of the orientals compared to the simplistic, ill-thought-out racial prejudice of Battling and his cronies.
I also enjoyed the boxing match. Very realistic - not the fantastic nonsense of your Rocky-type bout where a man all but beaten to a jelly suddenly pulls some heavy punches from nowhere and wins the fight.
The acting, as has been mentioned elsewhere, is terrific from all three of the principal characters. Also, their characters are well-drawn. Even Battling Burrows - complete with cauliflower ear - is more than a mere heavy: he boxes for a living, he drinks, he lives in a slum with few worldly possessions. Why?
I find it hard to believe that the films they make nowadays are nowhere near as good as this. Whatever happened to progress?
This film spawned the famous song "Limehouse Blues."
Subjects dealt with are racism, poverty and the reasons why.
The way Griffith deals with these subjects is the contrasts settings. Look at the room above the Chinaman's shop: opulent, festooned with the finest oriental silk. Compare that with the stark squalor of the abode of Lucy and her bruiser of a father. Then there is the education and sophistication of the orientals compared to the simplistic, ill-thought-out racial prejudice of Battling and his cronies.
I also enjoyed the boxing match. Very realistic - not the fantastic nonsense of your Rocky-type bout where a man all but beaten to a jelly suddenly pulls some heavy punches from nowhere and wins the fight.
The acting, as has been mentioned elsewhere, is terrific from all three of the principal characters. Also, their characters are well-drawn. Even Battling Burrows - complete with cauliflower ear - is more than a mere heavy: he boxes for a living, he drinks, he lives in a slum with few worldly possessions. Why?
I find it hard to believe that the films they make nowadays are nowhere near as good as this. Whatever happened to progress?
This film spawned the famous song "Limehouse Blues."
- loza-1
- 16 may 2005
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Broken Blossoms
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 88,000 (estimado)
- Tiempo de ejecución1 hora 30 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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Principales brechas de datos
By what name was Broken Blossoms or The Yellow Man and the Girl (1919) officially released in Canada in English?
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