...that explores the deterioration of a relationship of a husband and wife in Denmark after the man has lost his business. He becomes, not only morose, but extremely nasty towards his entire family, channeling all of his own personal misery towards his wife, his mother-in-law, his children, and his former nanny.
The first half of this film will win few viewers' sympathy concerning the husband. Frankly, in most of today's world, especially in the USA, any wife would have walked long ago rather than put up with such abuse. Instead, we see a form of mores that existed in a culture of yesterday, where this particular wife still holds great affection for her husband. Carl Theodore Dreyer does a commendable job showing the breakdown of the situation into its component parts, the breakup of the relationship, not by the wife, but by the nanny and mother-in-law, and then the re-assembling of the pieces into a concordant whole again. It's beautifully done, but it's dated. The major star of the piece is Mathilde Nielsen who plays the former nanny of the husband. Her eyes alone are worth the show.
This is well worth the watch but be forewarned that this is not necessarily a very pleasant piece, and I found as much to frown as to smile about.
