CALIFICACIÓN DE IMDb
7.5/10
21 k
TU CALIFICACIÓN
Un compositor loco y desfigurado busca el amor en una joven y encantadora cantante de ópera.Un compositor loco y desfigurado busca el amor en una joven y encantadora cantante de ópera.Un compositor loco y desfigurado busca el amor en una joven y encantadora cantante de ópera.
- Premios
- 4 premios ganados y 1 nominación en total
John St. Polis
- Comte Philip de Chagny
- (as John Sainpolis)
Virginia Pearson
- Carlotta
- (1929 re-edited version)
- …
Olive Ann Alcorn
- La Sorelli
- (sin créditos)
Betty Allen
- Ballerina
- (sin créditos)
Betty Arthur
- Ballet Dancer
- (sin créditos)
Joseph Belmont
- Stage Manager
- (sin créditos)
Alexander Bevani
- Mephistopheles
- (sin créditos)
Earl Gordon Bostwick
- Minor Role
- (sin créditos)
Ethel Broadhurst
- Frightened Ballerina
- (sin créditos)
Edward Cecil
- Faust
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaLon Chaney's horrific, self-applied makeup was kept secret right up until the film's premiere. Not a single photograph of Chaney as The Phantom was published in a newspaper or magazine or seen anywhere before the film opened in theaters. Universal Pictures wanted The Phantom's face to be a complete surprise when his mask was ripped off.
- Errores(1929 cut) When the Phantom's alarm goes off, the sound of the chimes does not always match the striking of the device's "arms". That is because what is heard is the film's soundtrack, not "sound effects", which do not exist in a silent film. As such, this being "off sync" is allowable.
- Citas
The Phantom: [Christine sees a casket in the room] That is where I sleep. It keeps me reminded of that other dreamless sleep that cures all ills - forever!
Christine Daae: You - You are the Phantom!
The Phantom: If I am the Phantom, it is because man's hatred has made me so. If I shall be saved, it will be because your love redeems me.
- Créditos curiososIn 1925 (and for many years afterwards), credits used to appear at the beginning of movies. In this film, the credits do appear at the beginning but also are repeated at the end, preceded by the following caption: "This is repeated at the request of picture patrons who desire to check the names of performers whose work has pleased them."
- Versiones alternativasIn 2012 it was determined that an "accidental 3-D" version of the film existed. From an examination of various prints of the film, it was discovered that most - if not all - of the original film was shot using two cameras placed side-by-side. This was most likely done to create simultaneous master and safety/domestic and foreign negatives of the film. However, when synched together and anaglyph color-tinted, the spatial distance between the two simultaneous film strips translates into an effective 3-D film. Under the working title of LA FANTOME 3D, a fund-raising effort is under way to locate and restore (create) a full "accidental 3-D" version of the film.
- ConexionesEdited into Drácula (1931)
Opinión destacada
Turner Classic Movies owns a restored copy of this film, which I saw from beginning to end for the first time last night. Thanks Ted!
For an 80 year old film, I was honestly swept away by the strengths of this production. OK, once you get past some of the hammy acting, remembering that it was completely de reguer for the time, you get caught up in it.
It has a very steady editing pace, which carries you along in the story, and so there are few, if any, slow points. The plotting and narrative are clear, there are no ' what did he say/mean' moments. The characters are pretty well filled out (there are a few exceptions, most notable the character of the boyfriend/hero) and so the plot wraps around you easily and enjoyably. The production values are amazingly high in this film, the recreation of the Opera (the grand staircase, the auditorium and the stage) the underground (the Phantom's lair, the underground river, the chambers and sub-chambers) and the exteriors were all created in Hollywood full scale. Unlike now, when we would have gotten some truly terrible CGI trash, when that chandelier drops from ceiling it's a real chandelier, it's a real ceiling and its really COOL!
Cant leave out the amazing secret that few if any talk about, but did you know that not only are certain scenes single color tinted, but there is an amazing 2 strip Technicolor sequence, the Masked Ball, that takes place on the grand staircase. Further, there is an stunning sequence that takes place on the roof of the Opera, the Phantom lurking on the parapet, his 'Red Death' costume from the ball billowing behind him in the wind while he stalks the heroine.
If you are expecting buckets of blood and Spiderman-like effects, this isn't the film for you. If you are looking for a fun film with romance, adventure and thrills in it, if you have an appreciation for classic film making, or just want a film you can watch with the kids, this one has a lot to offer.
For an 80 year old film, I was honestly swept away by the strengths of this production. OK, once you get past some of the hammy acting, remembering that it was completely de reguer for the time, you get caught up in it.
It has a very steady editing pace, which carries you along in the story, and so there are few, if any, slow points. The plotting and narrative are clear, there are no ' what did he say/mean' moments. The characters are pretty well filled out (there are a few exceptions, most notable the character of the boyfriend/hero) and so the plot wraps around you easily and enjoyably. The production values are amazingly high in this film, the recreation of the Opera (the grand staircase, the auditorium and the stage) the underground (the Phantom's lair, the underground river, the chambers and sub-chambers) and the exteriors were all created in Hollywood full scale. Unlike now, when we would have gotten some truly terrible CGI trash, when that chandelier drops from ceiling it's a real chandelier, it's a real ceiling and its really COOL!
Cant leave out the amazing secret that few if any talk about, but did you know that not only are certain scenes single color tinted, but there is an amazing 2 strip Technicolor sequence, the Masked Ball, that takes place on the grand staircase. Further, there is an stunning sequence that takes place on the roof of the Opera, the Phantom lurking on the parapet, his 'Red Death' costume from the ball billowing behind him in the wind while he stalks the heroine.
If you are expecting buckets of blood and Spiderman-like effects, this isn't the film for you. If you are looking for a fun film with romance, adventure and thrills in it, if you have an appreciation for classic film making, or just want a film you can watch with the kids, this one has a lot to offer.
- chicagoblt
- 5 dic 2004
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- The Phantom of the Opera
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 3,751,476
- Total a nivel mundial
- USD 4,360,000
- Tiempo de ejecución1 hora 33 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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Principales brechas de datos
By what name was El fantasma de la ópera (1925) officially released in India in English?
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