Agrega una trama en tu idiomaA naive young dancer in a Broadway show innocently gets involved in backstage bootlegging and murder.A naive young dancer in a Broadway show innocently gets involved in backstage bootlegging and murder.A naive young dancer in a Broadway show innocently gets involved in backstage bootlegging and murder.
- Premios
- 4 premios ganados en total
Thomas E. Jackson
- Dan McCorn
- (as Thomas Jackson)
Arthur Housman
- Dolph
- (as Arthur Houseman)
Marion Lord
- Lil Rice
- (as Marian Lord)
Gus Arnheim
- Orchestra Leader
- (as Gus Arnheim and His Orchestra)
Mary Bertrand
- Undetermined Secondary Role
- (sin créditos)
Edgar Dearing
- Crandall Mug at Party
- (sin créditos)
Argumento
¿Sabías que…?
- ConexionesFeatured in The Universal Story (1996)
- Bandas sonorasBROADWAY
Written by Con Conrad, Sidney D. Mitchell, Archie Gottler
Opinión destacada
Broadway now exists in two versions - the 88 minute visual silent with Hungarian subtitles and the 105 minute soundtrack only of the talking version (inflated for production numbers).
I was most impressed with the cinematography (Hal Mohr) in the scenes that could be filmed silently with soundtrack added later. The tracking and crane shots are amazing for any period, but especially for an early talkie; about an hour into the silent print, a morning after shot reveals the enormous night club set being cleaned by custodians with an almost surrealistically mobile camera. In contrast the scenes including dialogue are filmed rather conventionally with a non-moving camera.
The night club set is a stunner - looks like it took up an entire sound stage - kudos to Art Director Charles D. Hall. There are only a handful of other sets, mostly small backstage interiors.
The plot is very simplistic. I won't reveal any details as I don't want to provide spoilers. However, I can reveal this. There are two parallel plot lines - one involving a hoofer and his romance with one of the chorus girls, and the other a reel one murder involving management and bootlegging that relies on feelings of guilt and paranoia to bring the guilty party to heel.
Glenn Tryon is a lousy singer, but Evelyn Brent's superb performance as Pearl carries the film.
As a piece of cinematic history, it's a treasure to find. Now if the talking version pictorial elements surface, we'll be able to really compare the two.
I was most impressed with the cinematography (Hal Mohr) in the scenes that could be filmed silently with soundtrack added later. The tracking and crane shots are amazing for any period, but especially for an early talkie; about an hour into the silent print, a morning after shot reveals the enormous night club set being cleaned by custodians with an almost surrealistically mobile camera. In contrast the scenes including dialogue are filmed rather conventionally with a non-moving camera.
The night club set is a stunner - looks like it took up an entire sound stage - kudos to Art Director Charles D. Hall. There are only a handful of other sets, mostly small backstage interiors.
The plot is very simplistic. I won't reveal any details as I don't want to provide spoilers. However, I can reveal this. There are two parallel plot lines - one involving a hoofer and his romance with one of the chorus girls, and the other a reel one murder involving management and bootlegging that relies on feelings of guilt and paranoia to bring the guilty party to heel.
Glenn Tryon is a lousy singer, but Evelyn Brent's superb performance as Pearl carries the film.
As a piece of cinematic history, it's a treasure to find. Now if the talking version pictorial elements surface, we'll be able to really compare the two.
- bbmtwist
- 9 sep 2008
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- USD 1,000,000 (estimado)
- Tiempo de ejecución1 hora 44 minutos
- Color
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Principales brechas de datos
By what name was Broadway (1929) officially released in India in English?
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