Agrega una trama en tu idiomaA suicidal World War I veteran and an antique dealer, both already married to others, embark on a love affair.A suicidal World War I veteran and an antique dealer, both already married to others, embark on a love affair.A suicidal World War I veteran and an antique dealer, both already married to others, embark on a love affair.
- Moving Man Handling Sarah's Trunks
- (sin créditos)
- Organ Grinder
- (sin créditos)
- Undetermined Secondary Role
- (sin créditos)
- Burford - Gordon's Butler
- (sin créditos)
- Hector's Bridge Partner
- (sin créditos)
- Dr. Clairbourne
- (sin créditos)
- Man Selling French Postcards
- (sin créditos)
- Sharpshooter
- (sin créditos)
- Man at Dance
- (sin créditos)
- Parisian Night Club Patron
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaThis film is based on the play "Behold, We Live!" by John Van Druten.n The play opened in London on August 16, 1932. The play ran on the London stage during 1932 and starred Gertrude Lawrence and Gerald du Maurier in the leading roles.
- Citas
[first lines]
Man Selling French Postcards: [scene: a Paris street cafe] Des cartes postales, m'sieur? Des cartes postales, sir?
[Man seated with lady shoos the vendor away]
Man Selling French Postcards: [approaching Gordon and Hector's table] Postal cards, m'sier? *Dirty* postcards?
Hector Stribling: [turning away, disgusted] Uh!
Gordon Evers: Charming.
[taking the cards]
Gordon Evers: Would you like to look at them, Hector?
Hector Stribling: Certainly not!
Gordon Evers: How much are they?
Man Selling French Postcards: Twenty francs.
Gordon Evers: There you are.
Man Selling French Postcards: Merci m'sieur. Merci.
[Gordon tears up the cards, bows to the vendor, and throws the pieces away]
Hector Stribling: Why... why on earth did you do that?
Gordon Evers: Who knows, it may save the soul of some American tourist.
- Versiones alternativasThere is an Italian edition of this film on DVD, distributed by DNA srl, "LOVE AFFAIR - UN GRANDE AMORE (1939) + SE FOSSI LIBERO (1933)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
Brook's facial expression hardly changes, whether he's supposed to be happy or sad, whether he's speaking of his despair or whether he's making love to Dunne. His kissing is positively mechanical. He spends most of the film looking away from his fellow actors or looking down at the floor. In fact, he was much older (about 46) than his character was supposed to be (38), and he looks it.
The plot now seems tired. The plot of a later film, "In Name Only", bears a lot of similarities to this film: (1) Man in unhappy marriage meets his "soul-mate"; (2) Wife won't give him divorce; (3) Sickness in hospital with man calling out for his paramour rather than his wife. This begs the questionwhich of the authors copied the other? This film hasn't aged well. Since it was made pre-code, they could have spiced this up, but didn't. There are many other films of this vintage which we still enjoy seeing today, but in my opinion, this film isn't one of them.
- timothymcclenaghan
- 25 dic 2006
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Behold, We Live
- Locaciones de filmación
- París, Francia(establishing shots, backgrounds)
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 6 minutos
- Color
- Relación de aspecto
- 1.37 : 1