CALIFICACIÓN DE IMDb
7.8/10
35 k
TU CALIFICACIÓN
Un astuto gerente de negocios y los amigos de dos cantantes de ópera les ayudan a alcanzar el éxito mientras humillan a sus enemigos.Un astuto gerente de negocios y los amigos de dos cantantes de ópera les ayudan a alcanzar el éxito mientras humillan a sus enemigos.Un astuto gerente de negocios y los amigos de dos cantantes de ópera les ayudan a alcanzar el éxito mientras humillan a sus enemigos.
- Premios
- 2 premios ganados en total
Walter Woolf King
- Rudolfo Lassparri
- (as Walter King)
Sig Ruman
- Herman Gottlieb
- (as Siegfried Rumann)
Robert Emmett O'Connor
- Police Sergeant Henderson
- (as Robert Emmet O'Connor)
Enrique Acosta
- Nightclub Guest
- (sin créditos)
Harry Adams
- Opera Spectator
- (sin créditos)
Harry Allen
- Doorman
- (sin créditos)
Sam Appel
- Dungeon Guard
- (sin créditos)
King Baggot
- Dignitary
- (sin créditos)
Marion Bell
- Lady looking for 'Aunt Minnie'
- (sin créditos)
Edna Bennett
- Maid
- (sin créditos)
Dolly Blackburn
- Little Girl watching Harpo playing
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaIn exasperation after several attempts to have Groucho Marx read one of his lines in the manner director Sam Wood had requested, Wood exclaimed, "I guess you just can't make an actor out of clay." Groucho Marx instantly responded, "Nor a director out of Wood."
- ErroresRicardo is clearly standing on the dock as the ship pulls away, yet he turns up on board later as a stowaway.
- Citas
Otis B. Driftwood: It's all right, that's in every contract. That's what they call a sanity clause.
[Fiorello laughs loudly]
Fiorello: You can't fool me! There ain't no Sanity Claus!
- Versiones alternativasAll references to the first portion of the film taking place in Italy were edited from the original negative sometime after the original release. There is speculation that this was done during WWII when Italy was as Axis power, but it also may have been done in the late 1930's to appease Mussolini, who didn't like the way Italians were being portrayed. Either way, the film's first scene begins rather abruptly and is missing a musical number and references to Milan, Italy.
- ConexionesEdited into Apaga y vámonos: Episode #1.5 (2013)
- Bandas sonorasIl Trovatore: Di quella pira
(1853) (uncredited)
Music by Giuseppe Verdi
Libretto by Leone Emanuele Bardare and Salvatore Cammarano
Sung by Walter Woolf King
with The MGM Symphony Orchestra
Opinión destacada
I must admit that I am very light in personal knowledge of MArx Brothers films,and aside from the general information,imagery and quotes(the majority of which came from the irrepressible Groucho)that have been used and attributed in Western culture over the last seventy or eighty odd years,I have a very scant referential knowledge of their legendary body of film work.
With that in mind,when I saw the public library had a copy of this film in its stacks,it was a no-brainer for me. And it was a largely pleasing film experience as well.
The storyline seems to be somewhat insignificant: Brothers MArx are scattered about the goings on at a Venetian Opera company as it moves from Europe to New York City. They conspire to break a humble but talented tenor into the main role of the traveling show,as he is mooning over the young ingénue(Kitty Carlisle Hart,WELL before becoming the grand dame of TV Panel game shows!). But aside from the fair amount of music(hey,this IS,after all set in an Opera,so it goes to reason),this is mostly a physical comedy,laced with plenty of Groucho's standard one-liners. From watching his dealings with various straight people,from old stand-by MArgaret Dumont as his society-climbing wife,to the various lugs who signify authority(Theater directors,producers,society bigwigs,ship crew,policemen,local magistrates,etc.),Groucho is not only able to keep the humor legendarily fast and loose but also keeps the tempo of the dialog from bogging(I even noticed a sort of inspiration the creators at WArner Brothers got for Bugs Bunny from Groucho's witticisms!).
Maybe not the best of the Marxes films--though I still don't have a real gauge of opinion on this yet--but it's a fantastic starter film to build familiarity.
With that in mind,when I saw the public library had a copy of this film in its stacks,it was a no-brainer for me. And it was a largely pleasing film experience as well.
The storyline seems to be somewhat insignificant: Brothers MArx are scattered about the goings on at a Venetian Opera company as it moves from Europe to New York City. They conspire to break a humble but talented tenor into the main role of the traveling show,as he is mooning over the young ingénue(Kitty Carlisle Hart,WELL before becoming the grand dame of TV Panel game shows!). But aside from the fair amount of music(hey,this IS,after all set in an Opera,so it goes to reason),this is mostly a physical comedy,laced with plenty of Groucho's standard one-liners. From watching his dealings with various straight people,from old stand-by MArgaret Dumont as his society-climbing wife,to the various lugs who signify authority(Theater directors,producers,society bigwigs,ship crew,policemen,local magistrates,etc.),Groucho is not only able to keep the humor legendarily fast and loose but also keeps the tempo of the dialog from bogging(I even noticed a sort of inspiration the creators at WArner Brothers got for Bugs Bunny from Groucho's witticisms!).
Maybe not the best of the Marxes films--though I still don't have a real gauge of opinion on this yet--but it's a fantastic starter film to build familiarity.
- KUAlum26
- 1 oct 2008
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- How long is A Night at the Opera?Con tecnología de Alexa
Detalles
Taquilla
- Total a nivel mundial
- USD 5,320
- Tiempo de ejecución1 hora 36 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principales brechas de datos
By what name was Una noche en la opera (1935) officially released in India in English?
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