Un niño mimado que cae por la borda de un barco de vapor en la década de 1920 es recogido por un barco de pesca de Nueva Inglaterra, donde debe ganarse la vida uniéndose a la tripulación en ... Leer todoUn niño mimado que cae por la borda de un barco de vapor en la década de 1920 es recogido por un barco de pesca de Nueva Inglaterra, donde debe ganarse la vida uniéndose a la tripulación en su trabajo.Un niño mimado que cae por la borda de un barco de vapor en la década de 1920 es recogido por un barco de pesca de Nueva Inglaterra, donde debe ganarse la vida uniéndose a la tripulación en su trabajo.
- Ganó 1 premio Óscar
- 4 premios ganados y 6 nominaciones en total
- Priest
- (as Jack LaRue)
- 'Doc'
- (as Sam McDaniels)
- Charles
- (as Billy Burrud)
- Robbins
- (sin créditos)
- Boy
- (sin créditos)
- Bit Role
- (sin créditos)
- Fisherman
- (sin créditos)
- Reporter
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaWhen production finally wrapped in late February 1937, Spencer Tracy was relieved. "Well, I got away with it," he said later. "Want to know why? Because of Freddie, because of that kid's performance, because he sold it 98 per cent. The kid had to believe in Manuel, or Manuel wasn't worth a quarter. The way he would look at me, believe every word I said, made me believe in it myself. I've never said this before, and I'll never say it again. Freddie Bartholomew's acting is so fine and so simple and so true that it's way over people's heads. It'll only be by thinking back two or three years from now that they'll realize how great it was."
- ErroresManuel has many siblings, yet Daniel says Manuel did not have any relatives.
- Citas
Harvey: I bet I know a lot of things you don't know. I know that's not French you're singing.
Manuel Fidello: That's right. About ten million people know it Portuguese.
Harvey: I bet you can't speak French.
Manuel Fidello: Right now, I sorry I speak *English*.
- Créditos curiososThe opening credits are letters on planks, like the lettering on the side of ships, and between screen-fulls, a foaming wave of water splashes over it and then runs off. In the initial sets of credits, these appear to be actually letter-forms attached to the wood, as the water gets deflected by some of the letters; in later sets of credits, this effect is harder to see and the sets may be credits superimposed upon wood.
- ConexionesEdited into Spisok korabley (2008)
- Bandas sonorasOoh What a Terrible Man
(1937) (uncredited)
Lyrics by Gus Kahn
Music by Franz Waxman
Sung by John C arradine, Spencer Tracy, Freddie Bartholomew, and other seaman
You might think this movie will come off as old-fashioned and stale, a old Kipling yarn filmed in the 1930s in black and white. Well don't pre-judge this! It's really good. Fast, energetic, touching, and filled with good acting and great filming. It even has a moral tale that doesn't smack you as sentimental, but is a good reminder of what counts in life.
The main character is a rich boy who obviously needs to learn some lessons in humility and honor. And he's played with real perfection by the young English actor Freddie Bartholomew who had a five year heyday of great roles and great performances with classic adventure stories told on film. And there are parallels here of bigger tales like "Kidnapped" (1938) and "David Copperfield" (1935), with a child intersecting the world of adults and its perils.
His adult friend is the bigger star, Spencer Tracy, who does a good job though I've never quite loved his style of acting. Here he plays a Portuguese sailor with a half an accent and it's the one problem in the film. Next to him in a big role is Lionel Barrymore, who recognizably makes for a quirky captain of the fishing boat. He's great. And so are the other side characters, including a whole slew of big names from the time (John Carradine and Mickey Rooney are probably most famous now).
Much of the film is a low key adventure film. It's aimed at kids the way "The Wizard of Oz" is aimed at kids—meaning it's great for adults, too, and there are a few things snuck in to keep older viewers attuned. Director Victor Fleming went on to direct "Oz" and much of "Gone with the Wind" in two years, and you can feel his Hollywood expertise in every scene here. This is not a stiff 1930s movie if your head is in that mode. Fleming (with photographer great Harold Rosson, who shot "Oz" and a hundred others) makes it vivid and wondrous. The mix of studio shots and authentic sea footage (made with a second film crew in the North Atlantic) is brilliantly handled—no back projection goofs here.
I really liked this movie. It's straight up filmic storytelling. No distractions, no bumbling. Give it a go and be surprised.
- secondtake
- 18 ene 2014
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Detalles
Taquilla
- Presupuesto
- USD 1,645,000 (estimado)
- Tiempo de ejecución1 hora 57 minutos
- Color
- Relación de aspecto
- 1.37 : 1