Un jockey se hace amigo de un chico con un caballo veloz y la sobrina de una dueña de pensión tras enredarse con apostadores turbios.Un jockey se hace amigo de un chico con un caballo veloz y la sobrina de una dueña de pensión tras enredarse con apostadores turbios.Un jockey se hace amigo de un chico con un caballo veloz y la sobrina de una dueña de pensión tras enredarse con apostadores turbios.
Ernie Alexander
- Racetrack Usher
- (sin créditos)
Reginald Barlow
- Man Seated Behind Mr. Sloan
- (sin créditos)
Lionel Belmore
- Calverton's Butler
- (sin créditos)
Marie Blake
- Hospital Telephone Operator
- (sin créditos)
Don Brodie
- Racetrack Teller
- (sin créditos)
Francis X. Bushman
- Racing Steward
- (sin créditos)
George Chandler
- Jim - Racetrack Usher
- (sin créditos)
Chester Clute
- Man with Toupee
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaThis film, the first of 10 to feature both Judy Garland and Mickey Rooney, is also the only one in which she is billed ahead of him. It was also the first film in which she received top billing.
- ErroresIn the final race Frankie Darro is wearing no. 4 in the starting gate. Later in a close up he is wearing no. 7. Then at the finish he is again wearing no. 4.
- Citas
Jim - Racetrack Usher: Listen here, lady, I'm the usher!
Mother Ralph: Well go on and ush!
- ConexionesFeatured in Sports on the Silver Screen (1997)
- Bandas sonorasGot a Pair of New Shoes
(1937) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Played as background music and sung by Judy Garland during the opening credits
Played on piano and reprised by Judy Garland again
Played on guitar and reprised by Judy Garland once more
Played as background music at the end and sung again by Judy Garland
Opinión destacada
The first film to feature Mickey Rooney and Judy Garland came up short in the music department as there was only one song written for the film Got A Brand New Pair Of Shoes and it was Judy's. I've a feeling that a lot might have been left on the cutting room floor because Sophie Tucker was also in this film as Judy's grandmother and she sung not a note.
Thoroughbreds Don't Cry features Mickey as a jockey famous for his daring come from behind wins in the stretch and Judy the granddaughter of Sophie Tucker who runs a jockey's boardinghouse where Mickey resides. Into their lives comes C. Aubrey Smith and his young grandson Ronald Sinclair who are titled, but cash poor with only one asset, a prize winning stakes horse called The Pooka. Yes, I do believe it is named for that spirit who manifested himself as a six foot white rabbit in Harvey.
Mickey's the best there is at his profession, but he's fatally compromised because of a no-good gambler of a father in Charles D. Brown who pretends he's on death's door. That's to extort a pledge from Mickey to throw the race The Pooka is running in. Mickey does it and finds out he's been framed. He's put everybody in a jackpot because of this and there is one death that results from it.
Ronald Sinclair substitutes nicely for Freddie Bartholomew who this role was originally intended. But the chemistry with Mickey and Judy was readily apparent and MGM would team them several more times until Words And Music in 1948 which was Mickey's last film for MGM.
But I like more singing and dancing when I see Mickey and Judy and I think more was originally intended. Just the mere fact that Sophie Tucker was in the film leads me to believe she must have had a number that ended up on the cutting room floor. Perhaps one day we'll see a director's cut.
The racing sequences at Santa Anita were handled well, the track was only a few years old at the time and the movie land crowd were frequent visitors and owners of race horses out there. I've seen newsreel footage of Mickey Rooney enjoying the sport of kings there when he was not on a shooting schedule.
Thoroughbreds Don't Cry is a good start for a most auspicious star team, but a whole lot better was to come.
Thoroughbreds Don't Cry features Mickey as a jockey famous for his daring come from behind wins in the stretch and Judy the granddaughter of Sophie Tucker who runs a jockey's boardinghouse where Mickey resides. Into their lives comes C. Aubrey Smith and his young grandson Ronald Sinclair who are titled, but cash poor with only one asset, a prize winning stakes horse called The Pooka. Yes, I do believe it is named for that spirit who manifested himself as a six foot white rabbit in Harvey.
Mickey's the best there is at his profession, but he's fatally compromised because of a no-good gambler of a father in Charles D. Brown who pretends he's on death's door. That's to extort a pledge from Mickey to throw the race The Pooka is running in. Mickey does it and finds out he's been framed. He's put everybody in a jackpot because of this and there is one death that results from it.
Ronald Sinclair substitutes nicely for Freddie Bartholomew who this role was originally intended. But the chemistry with Mickey and Judy was readily apparent and MGM would team them several more times until Words And Music in 1948 which was Mickey's last film for MGM.
But I like more singing and dancing when I see Mickey and Judy and I think more was originally intended. Just the mere fact that Sophie Tucker was in the film leads me to believe she must have had a number that ended up on the cutting room floor. Perhaps one day we'll see a director's cut.
The racing sequences at Santa Anita were handled well, the track was only a few years old at the time and the movie land crowd were frequent visitors and owners of race horses out there. I've seen newsreel footage of Mickey Rooney enjoying the sport of kings there when he was not on a shooting schedule.
Thoroughbreds Don't Cry is a good start for a most auspicious star team, but a whole lot better was to come.
- bkoganbing
- 8 dic 2010
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- How long is Thoroughbreds Don't Cry?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 20 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was Thoroughbreds Don't Cry (1937) officially released in India in English?
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