La pelirroja

For those, like myself, who heard about Jean Harlow before viewing any of her pictures, the expectation was to see a glamor girl with somewhat limited performing skills, not unlike Marilyn Monroe at a later time. Not to take anything away from Marilyn, but Jean Harlow proved herself to be a very adept performer, an appealing combination of brazen sexuality and shameless manipulation, always with a comic touch. While sometimes getting her comeuppance (and appearing to enjoy it) at the hands of strong characters played by the likes of Clark Gable and Spencer Tracy, in "Red-Headed Woman" the men in her life are pushovers for her wily charms. Chester Morris earnestly tries once, twice, three times to resist her, and apparently comes THAT close to succeeding, but her persistence ultimately renders him helpless. The wealthy and distinguished (and elderly) Henry Stephenson doesn't have a chance: when Jean's pal Una Merkel suggests that she's aiming too high this time, that her plans have no chance of success, Jean replies, "He's a man, isn't he?"

This is the prototypical Jean Harlow character, done to the hilt by a very skilled performer who, in the final analysis, probably has more in common with Mae West than with Marilyn Monroe. If she played virtually the same character in almost every picture, she wasn't the first to do so. Her reputation as an actress deserves to be greatly enhanced.