CALIFICACIÓN DE IMDb
7.2/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaA female blackmailer with a disfiguring facial scar meets a plastic surgeon who offers her the possibility of looking like a normal woman.A female blackmailer with a disfiguring facial scar meets a plastic surgeon who offers her the possibility of looking like a normal woman.A female blackmailer with a disfiguring facial scar meets a plastic surgeon who offers her the possibility of looking like a normal woman.
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Argumento
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- TriviaDirector George Cukor wanted Anna's recital of her life story to be done in a tired, mechanical fashion, so he had Joan Crawford repeat the multiplication tables over and over until he got the monotonous tone he was looking for. Then, he rolled the cameras.
- ErroresWhen Anna visits Barring, he pours himself a drink and places it on the table without drinking it. On the following cut after speaking with Anna, he again picks up the bottle and pours himself a drink.
- Versiones alternativasThere is an Italian edition of this film on DVD, distributed by DNA Srl: "VOLTO DI DONNA (1941) + DONNE (1939) + Extraño cargamento (1940)" (3 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConexionesFeatured in You Can't Fool a Camera (1941)
Opinión destacada
Joan Crawford has one of her more complex roles and plays it brilliantly in 'A Woman's Face'. It ranks with her work in 'Mildred Pierce' and 'Possessed'. Matching her is Conrad Veidt, always the suave villain (who also specialized in playing Nazi types). Crawford excels as a scarred woman who undergoes plastic surgery to change her life. The situations become more melodramatic as the plot gets thicker and there are a few too many flashbacks--but overall, the effect is a stunning film that makes you think about how one's appearance shapes one's life--for better or worse.
Certain sequences have a stark, no holds barred manner of storytelling, grim and suspenseful--as when Anna Holm considers pushing a child to his death from a cable car. The wintry landscapes and glittering interiors are all handsomely photographed. Melvyn Douglas doesn't register too strongly at all. It's strictly Crawford's picture with some superb help from Conrad Veidt.
The pace is rather leisurely under George Cukor's direction but quickens midway to a smashing climax. By all means, see it. A strong melodrama with some unexpected twists.
Certain sequences have a stark, no holds barred manner of storytelling, grim and suspenseful--as when Anna Holm considers pushing a child to his death from a cable car. The wintry landscapes and glittering interiors are all handsomely photographed. Melvyn Douglas doesn't register too strongly at all. It's strictly Crawford's picture with some superb help from Conrad Veidt.
The pace is rather leisurely under George Cukor's direction but quickens midway to a smashing climax. By all means, see it. A strong melodrama with some unexpected twists.
- Doylenf
- 10 may 2001
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Detalles
Taquilla
- Presupuesto
- USD 1,343,000 (estimado)
- Tiempo de ejecución1 hora 46 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was Un rostro de mujer (1941) officially released in India in English?
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