Todo por una mujer

Poor Melody Jones, a simple soul, a good cowboy who has never really developed skill with firearms, gets himself mistaken for notorious western badman Monty Jarrad. Same general build, same initials and both are known to hang around with a cantankerous old timer. A recipe for trouble?

For Melody yes, but for the viewer it's a recipe for one of the best comic westerns ever made. Gary Cooper who produced as well as starred in this film, seems to be having a grand old time spoofing all the western heroes that people like he have played for years.

Quite a few stock western types are here. Loretta Young is the killer's girlfriend, a Calamity Jane type who's pretty accurate with a rifle fortunately. William Demarest is the cantankerous old timer sidekick, he could have had a great career portraying those had he stuck to westerns. And Dan Duryea is just fine as the real Monty Jarrad who's coming back to his hometown to get the loot he's stashed there.

Cooper as Melody gets in one fix after another at almost a dizzying pace. His final showdown with Dan Duryea must have influenced John Ford when he made The Man Who Shot Liberty Valance. Though this is a comedy and Ford's film was deadly serious, the showdown between Cooper and Duryea is quite serious.

I'm also sure that Mel Brooks was influenced by Along Came Jones when he created his classic Blazing Saddles.

Thank you to director Stuart Heisler and writer Nunnally Johnson for creating a fabulously funny film.