Un jugador de poca monta contratado en un casino de Buenos Aires descubre que la nueva mujer de su jefe es su antigua amante.Un jugador de poca monta contratado en un casino de Buenos Aires descubre que la nueva mujer de su jefe es su antigua amante.Un jugador de poca monta contratado en un casino de Buenos Aires descubre que la nueva mujer de su jefe es su antigua amante.
- Premios
- 1 premio ganado y 1 nominación
Mark Roberts
- Gabe Evans
- (as Robert Scott)
Donald Douglas
- Thomas Langford
- (as Don Douglas)
Julio Abadía
- Newsman
- (sin créditos)
- …
Enrique Acosta
- Gambler
- (sin créditos)
Ed Agresti
- Nightclub Patron
- (sin créditos)
Sam Appel
- Blackjack Dealer
- (sin créditos)
Nina Bara
- Girl at Carnival
- (sin créditos)
Edward Biby
- Gambler
- (sin créditos)
Robert Board
- American Cartel Member
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaThere is a rumour that this film is the only time Rita Hayworth's real singing voice is heard, but that is not true. According to the bonus features from the DVD, Hayworth actually never recorded her own singing voice and was a talented lip-syncher. Anita Ellis dubbed almost all of her singing in this film. Hayworth always wanted to do her own singing, and Columbia Pictures chief Harry Cohn paid for her voice lessons, but she never developed a voice he considered strong enough to be used; Hayworth remained bitter about that for the rest of her life.
- ErroresWhen Farrell asks to cut the deck at the blackjack table, he shuffles the deck prior to the cut; this is not allowed.
- Citas
Gilda: You do hate me, don't you, Johnny?
Johnny Farrell: I don't think you have any idea of how much.
Gilda: Hate is a very exciting emotion. Haven't you noticed? Very exciting. I hate you too, Johnny. I hate you so much I think I'm going to die from it. Darling...
[they kiss passionately]
Gilda: I think I'm going to die from it.
- ConexionesEdited into Head (1968)
Opinión destacada
The 40s and 50s produced many alluring performances from beautiful and sexy actresses and Rita Hayworth's in Gilda is one of the most provocative of all. The film is good and quite deep, the male leads are better, but Hayworth's performance is simply stunning and unforgettable. She may not have been the most beautiful 40s actress (Gene Tierney and Veronica Lake were more classic beauties imo), but if you look closely her ability to show the sweet, the vulnerable, and especially the wanton, in women has not been bettered. Somehow her character gets under the male viewer's skin in the same way as it does to the male characters in the film.
Modern film femme fatales are a pale shadow by comparison, for example Linda Fiorentino or Sharon Stone. I'm not sure why. It could be either that nowadays allure is too much equated with sex or nudity (less tantalising than several dashes of suggestion) or maybe it's that present day equivalents are portrayed as hard as nails without the necessary mix of sadness and vulnerability.
Whatever, if you've never appreciated what the appeal of 40s noir is, this is definitely one to try.
Modern film femme fatales are a pale shadow by comparison, for example Linda Fiorentino or Sharon Stone. I'm not sure why. It could be either that nowadays allure is too much equated with sex or nudity (less tantalising than several dashes of suggestion) or maybe it's that present day equivalents are portrayed as hard as nails without the necessary mix of sadness and vulnerability.
Whatever, if you've never appreciated what the appeal of 40s noir is, this is definitely one to try.
- scotty12
- 20 jun 2002
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- How long is Gilda?Con tecnología de Alexa
Detalles
Taquilla
- Total a nivel mundial
- USD 5,999
- Tiempo de ejecución1 hora 50 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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