CALIFICACIÓN DE IMDb
6.4/10
747
TU CALIFICACIÓN
En plena votación política, un príncipe balcánico llega a Nueva York para observar la vida ordinaria, donde entabla amistad con un taxista y se enamora de su novia.En plena votación política, un príncipe balcánico llega a Nueva York para observar la vida ordinaria, donde entabla amistad con un taxista y se enamora de su novia.En plena votación política, un príncipe balcánico llega a Nueva York para observar la vida ordinaria, donde entabla amistad con un taxista y se enamora de su novia.
Patrick McVey
- Johnson
- (as Pat McVey)
Lauren Bacall
- Lauren Bacall
- (sin créditos)
Lex Barker
- Fred - the Usher
- (sin créditos)
Janet Barrett
- Stewardess
- (sin créditos)
Patricia Barry
- Nurse
- (sin créditos)
Brooks Benedict
- Man in Train Station
- (sin créditos)
Ted Billings
- Shorty
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaHumphrey Bogart, Lauren Bacall: playing themselves on a plane.
- ErroresWhen Buzz is shaving the Prince, there is shaving cream all over his mustache; before Buzz gets to the mustache, all the shaving cream disappears.
- Citas
Humphrey Bogart: Pardon me. You're in my seat. Lift it, bub!
- ConexionesFeatured in Okay for Sound (1946)
- Bandas sonorasAnd Her Tears Flowed Like Wine
(uncredited)
Music by Stan Kenton and Charles Lawrence
Lyrics by Joe Greene
Performed by Lauren Bacall in a clip from Al borde del abismo (1946)
Opinión destacada
Plot-- A European prince travels to the US to learn about life in a democracy. There he meets a Brooklyn cab driver and gets a whirlwind intro to big city America, especially when he and the cabbie compete for the same girl.
Is democracy a better governing institution than monarchy. Boy, there's a tough one for the movie to answer. Forget the plot that has the prince (Morgan) discovering the joys of blue- collar Brooklyn. Instead, it's the cast and a number of comedic touches that lift this romantic comedy. Morgan and Carson may never have reached Hope and Crosby's level of team success, but they're just as likable.
Actually, many of the laughs come from the supporting cast plus good side-action touches. For instance, there's that sly old teddy bear, SZ (Cuddles) Sakall. His fractured English is always good for a chuckle and a hug. Then there's Franklyn Pangborn doing his flustered bit as the theatre manager. It's always fun to watch his officious manner get punctured. The girls, Leslie and Paige, are both fetching and energetic, lending real bounce.
I confess looking forward to these 40's features in order to marvel over the ladies hats. Back then, a woman wasn't really dressed without a dress hat, and invariably the head-gear resembled alien life forms, as the exaggerated plumes do here.
Anyway, Butler directs with verve and style, helping get us over Connie's (Leslie) rather tiresomely repetitive dilemma—will it be blue-collar Bud (Carson) or refined royalty (Morgan) that she ends up with. Too bad the rivalry drags out longer than it should. A trim job here would have given the comedy more punch.
Nonetheless, the likable cast generally keeps the chuckles coming, while Morgan-Carson make an entertaining team. I just hope Bud learns to park his cab before I get there.
Is democracy a better governing institution than monarchy. Boy, there's a tough one for the movie to answer. Forget the plot that has the prince (Morgan) discovering the joys of blue- collar Brooklyn. Instead, it's the cast and a number of comedic touches that lift this romantic comedy. Morgan and Carson may never have reached Hope and Crosby's level of team success, but they're just as likable.
Actually, many of the laughs come from the supporting cast plus good side-action touches. For instance, there's that sly old teddy bear, SZ (Cuddles) Sakall. His fractured English is always good for a chuckle and a hug. Then there's Franklyn Pangborn doing his flustered bit as the theatre manager. It's always fun to watch his officious manner get punctured. The girls, Leslie and Paige, are both fetching and energetic, lending real bounce.
I confess looking forward to these 40's features in order to marvel over the ladies hats. Back then, a woman wasn't really dressed without a dress hat, and invariably the head-gear resembled alien life forms, as the exaggerated plumes do here.
Anyway, Butler directs with verve and style, helping get us over Connie's (Leslie) rather tiresomely repetitive dilemma—will it be blue-collar Bud (Carson) or refined royalty (Morgan) that she ends up with. Too bad the rivalry drags out longer than it should. A trim job here would have given the comedy more punch.
Nonetheless, the likable cast generally keeps the chuckles coming, while Morgan-Carson make an entertaining team. I just hope Bud learns to park his cab before I get there.
- dougdoepke
- 7 oct 2016
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- USD 400,000 (estimado)
- Tiempo de ejecución1 hora 30 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principales brechas de datos
By what name was El príncipe se enamora (1946) officially released in India in English?
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