CALIFICACIÓN DE IMDb
7.5/10
23 k
TU CALIFICACIÓN
Un hombre condenado por el asesinato de su esposa escapa de prisión y forma equipo con una mujer para probar su inocencia.Un hombre condenado por el asesinato de su esposa escapa de prisión y forma equipo con una mujer para probar su inocencia.Un hombre condenado por el asesinato de su esposa escapa de prisión y forma equipo con una mujer para probar su inocencia.
John Alvin
- Blackie
- (escenas eliminadas)
John Arledge
- Lonely Man
- (sin créditos)
Leonard Bremen
- Bus Ticket Clerk
- (sin créditos)
Clancy Cooper
- Man on Street Seeking Match
- (sin créditos)
Deborah Daves
- Child with Aunt Mary
- (sin créditos)
Michael Daves
- Michael
- (sin créditos)
Tom Fadden
- Diner Counterman Serving Parry
- (sin créditos)
Bob Farber
- Policeman
- (sin créditos)
Mary Field
- Aunt Mary
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaThe actual 1937 Art Deco apartment building used in the film (located at 1360 Montgomery St. in San Francisco) is still standing as of 2023. The apartment (No. 10) is marked by a cardboard cut-out of Humphrey Bogart, which can be seen from the street. The site is visited frequently by fans of vintage film noir. The unit has one bath, one bedroom and 861 square feet, and was last sold in 2016 for $1.5M.
- ErroresAfter Parry's bandages are removed, there are no stitches or bruises, nor is there the sort of facial swelling that always results from plastic surgery.
- Citas
Vincent Parry: You know, it's wonderful when guys like you lose out. Makes guys like me think maybe we got a chance in this world.
- Versiones alternativasAlso available in a computer-colorized version.
- ConexionesEdited from San Quentin (1937)
- Bandas sonorasToo Marvelous for Words
(uncredited)
Music by Richard A. Whiting
Lyrics by Johnny Mercer
Performed on record twice by Jo Stafford
Also played on the jukebox at the bus station
Also played at the cafe in Peru and during the end credits
Opinión destacada
Watching a "feature" on the DVD the other day after viewing this movie, it was interesting to hear that "Dark Passage" was never a popular film despite the headliners being Humphrey Bogart and Lauren Bacall.
That was because studio head Jack Warner was displeased that Bogart's face wasn't shown for the first half of the film and so he didn't give the movie much publicity. The fact Bogey's face didn't appear for quite a while apparently didn't settle well with the public, either.
That was their loss: this is a fine film. The stars of it, really - the actors who put the spark in the story - aren't Bogey and Bacall anyway but the supporting actors. I can't recall a movie where the supporting cast was so good, so entertaining, as in this film.
Before naming them, let me preface by saying Bogart and Bacall still give good performances and Bacall still had a face in those early days that was mesmerizing BUT the people who make this movie click are:
Tom D'Andrea as the cab driver; Houseley Stevenson as the strange and extremely interesting plastic surgeon; Clifton Young as the blackmailer; Tory Mallison as Bogart's old best friend and Agnes Moorhead as the villainous snoop. These people are fantastic.
As an escaped convict on the run, we only see what Bogart sees until plastic surgery turns him into the familiar face we recognize. That sort of thing - seeing only what one character sees, using the camera as his eyes, was done in another noir, "Lady In The Lake," but not done as successfully as in this film. Here, it works as we meet these other weird characters as Bogart sees them. Actually, every character including Bacall's, is a bit odd. The script doesn't always make sense, either, to be honest, but it's fun to play along.
It was a simple but effective story with some neat twists along the way and pretty good suspense here and there, too. I think it's a very underrated film noir and very glad the long-awaited DVD gave it a nice transfer. This is another example of a classic film that looks far better on DVD than it ever did on tape. I hadn't realized how well-photographed this movie was until I saw it on disc.
That was because studio head Jack Warner was displeased that Bogart's face wasn't shown for the first half of the film and so he didn't give the movie much publicity. The fact Bogey's face didn't appear for quite a while apparently didn't settle well with the public, either.
That was their loss: this is a fine film. The stars of it, really - the actors who put the spark in the story - aren't Bogey and Bacall anyway but the supporting actors. I can't recall a movie where the supporting cast was so good, so entertaining, as in this film.
Before naming them, let me preface by saying Bogart and Bacall still give good performances and Bacall still had a face in those early days that was mesmerizing BUT the people who make this movie click are:
Tom D'Andrea as the cab driver; Houseley Stevenson as the strange and extremely interesting plastic surgeon; Clifton Young as the blackmailer; Tory Mallison as Bogart's old best friend and Agnes Moorhead as the villainous snoop. These people are fantastic.
As an escaped convict on the run, we only see what Bogart sees until plastic surgery turns him into the familiar face we recognize. That sort of thing - seeing only what one character sees, using the camera as his eyes, was done in another noir, "Lady In The Lake," but not done as successfully as in this film. Here, it works as we meet these other weird characters as Bogart sees them. Actually, every character including Bacall's, is a bit odd. The script doesn't always make sense, either, to be honest, but it's fun to play along.
It was a simple but effective story with some neat twists along the way and pretty good suspense here and there, too. I think it's a very underrated film noir and very glad the long-awaited DVD gave it a nice transfer. This is another example of a classic film that looks far better on DVD than it ever did on tape. I hadn't realized how well-photographed this movie was until I saw it on disc.
- ccthemovieman-1
- 8 mar 2006
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- USD 1,600,000 (estimado)
- Total a nivel mundial
- USD 9,693
- Tiempo de ejecución1 hora 46 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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What is the Japanese language plot outline for La senda tenebrosa (1947)?
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