Agrega una trama en tu idiomaA publisher insinuates himself into the mouldering mansion of the centenarian lover of a renowned but long-dead poet to find his lost love letters.A publisher insinuates himself into the mouldering mansion of the centenarian lover of a renowned but long-dead poet to find his lost love letters.A publisher insinuates himself into the mouldering mansion of the centenarian lover of a renowned but long-dead poet to find his lost love letters.
- Restaurant Patron
- (sin créditos)
- Alberto - Proprietor
- (sin créditos)
- Restaurant Patron
- (sin créditos)
- Fruit Vendor
- (sin créditos)
- Young Man
- (sin créditos)
- Restaurant Patron
- (sin créditos)
- Waiter
- (sin créditos)
- Waiter
- (sin créditos)
- Singer
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaHenry James based the story on an anecdote he had heard when he was in Florence, Italy, in 1879. Claire Clairmont, the half-sister of Percy Bysshe Shelley's wife Mary Shelley and the mother of Lord Byron's daughter Allegra, was still alive and related how an unscrupulous Shelley devotee had posed as a lodger in order to find any unpublished papers. After the aged Claire died, her niece offered the papers to him, but at a price.
- ErroresWhen Lewis rescues Juliana from the fire, Juliana's stunt double can be seen grabbing onto Lewis and helping him carry 'her' out.
- Citas
Lewis Venable: In that fearfully incredible moment I knew I had plunged off a precipice into the past. That here was Juliana beyond belief, beautiful, alluring, alive. How strange this was, this Tina, who walked dead among the living and living among the dead, filling me with a nameless fear! I had a sudden impulse to turn and leave, and then I remembered the letters.
- ConexionesReferenced in Myra Breckinridge (1970)
- Bandas sonorasFenesta che lucive
(uncredited)
Music by William Cottrau (or Vincenzo Bellini)
Sung by Enrico Caruso
In love scene between Lewis and Tina
What makes all this remarkable is that the screenplay is a classic example of Hollywood's idiotic dumbing-down of a major work of fiction, Henry James's novella "The Aspern Papers" (based in turn on the life of Lord Byron). To compare James's brief story with the film is so sad it's almost painful, yet the movie survives and succeeds through sensitive style and sturdy professionalism.
The studio sets are evocative of a time before Venice became an international theme park, and the director's experience in radio drama provides a more finely-judged soundtrack than was the norm.
If your nerve-endings are not already terminally blunted through today's cinematic overkill, this film will prove richly rewarding.
- tonstant viewer
- 9 feb 2002
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Detalles
- Tiempo de ejecución1 hora 29 minutos
- Color
- Relación de aspecto
- 1.37 : 1