Agrega una trama en tu idiomaAdults who grew up as slum kids meet later in life, but murder disrupts their reunion.Adults who grew up as slum kids meet later in life, but murder disrupts their reunion.Adults who grew up as slum kids meet later in life, but murder disrupts their reunion.
Fotos
Joe Downing
- Frank Diamond
- (as Joseph Downing)
Scotty Beckett
- Mike O'Mara as a Child
- (sin créditos)
Stanley Blystone
- Policeman with Doorman
- (sin créditos)
Tommy Bupp
- Jerry Donovan as a Child
- (sin créditos)
Neal Burns
- Emergency Squad Man
- (sin créditos)
Howard Christie
- Emergency Squad Man
- (sin créditos)
Drew Demorest
- Cab Driver
- (sin créditos)
George DeNormand
- Diamond's Henchman
- (sin créditos)
Mike Donovan
- Policeman at Headquarters
- (sin créditos)
Bill Elliott
- James Brewster
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaThis movie was no 57.734 on the Swedish Censorship Board. It was not allowed to be shown at Swedish cinemas, and Universal apparently never cared to make any cuts.
- ErroresAt the end of the movie, the memorial park sign, shown twice, dedicates the park to the Boys of Hell's Kitchen. In the playground scene, there are plenty of girls in dresses.
Opinión destacada
Pretty good thick-ear. Four Hell's Kitchen kids keep up their friendship into adulthood even though one has become a gambler (McLaglen), one a priest (Kelly), two are cops (Gargan & Gallaudet), and the girl (Roberts) a singer. Now their lives intertwine in problematic ways as crime confronts the law.
Looks like the plot's a variation on a familiar theme of the time (1930's)—kids growing up on opposite sides of the law only to confront one another later on. The concept creates a rich mine for conflicting emotions and loyalties. Here McLaglen has to navigate between gambling interests and loyalty to boyhood friends. The narrative sticks pretty closely to this line with its complications. The acting's okay, though emotions never build to an intensity. Instead, we're pulled along more by plot than characters. Certainly, McLaglen is capable of an intensity when so called upon, but not here. Oddly, there's not much action or violence despite the loaded title. I guess the two fires and smoke are supposed to justify the hellish expectations.
All in all, the hour seldom rises above programmer status, but might serve old movie fans on a slow evening.
Looks like the plot's a variation on a familiar theme of the time (1930's)—kids growing up on opposite sides of the law only to confront one another later on. The concept creates a rich mine for conflicting emotions and loyalties. Here McLaglen has to navigate between gambling interests and loyalty to boyhood friends. The narrative sticks pretty closely to this line with its complications. The acting's okay, though emotions never build to an intensity. Instead, we're pulled along more by plot than characters. Certainly, McLaglen is capable of an intensity when so called upon, but not here. Oddly, there's not much action or violence despite the loaded title. I guess the two fires and smoke are supposed to justify the hellish expectations.
All in all, the hour seldom rises above programmer status, but might serve old movie fans on a slow evening.
- dougdoepke
- 29 nov 2016
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Hell's Kitchen
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 5 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was The Devil's Party (1938) officially released in Canada in English?
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