XI Olimpiada, la fiesta de las naciones
Título original: Olympia 1. Teil - Fest der Völker
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El documento de los Juegos Olímpicos de 1936 en Berlín.El documento de los Juegos Olímpicos de 1936 en Berlín.El documento de los Juegos Olímpicos de 1936 en Berlín.
- Premios
- 2 premios ganados en total
David Albritton
- Self - High Jump, USA
- (sin créditos)
Arvo Askola
- Self - 10000 Metres, FIN
- (sin créditos)
Jack Beresford
- Self - Carries British Flag
- (sin créditos)
Erwin Blask
- Self - Hammer Throw, German
- (sin créditos)
Sulo Bärlund
- Self - Shot Put, Finland
- (sin créditos)
Ibolya Csák
- Self - High Jump, Hungary
- (sin créditos)
Glenn Cunningham
- Self
- (sin créditos)
Philip Edwards
- Self - 800 Metres, Canada
- (sin créditos)
Donald Finlay
- Self - 110m Hurdles, GB
- (sin créditos)
Tilly Fleischer
- Self - Javelin Throw, Germany
- (sin créditos)
Wilhelm Frick
- Self - Spectator
- (sin créditos)
Joseph Goebbels
- Self - Spectator
- (sin créditos)
Hermann Göring
- Self - Spectator
- (sin créditos)
Ernest Harper
- Self - Marathon, GB
- (sin créditos)
Karl Hein
- Self - Hammer Throw, Germany
- (sin créditos)
Heinz Herman
- German flag carrier
- (sin créditos)
Rudolf Hess
- Self - Stands with Hitler
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- Trivia[Taken from the German Arthaus DVD commentary] The pole vault finals shown in the movie aren't the real ones. The actual finals were held in the evening, and as no fast film (highly sensitive to light) was available at the time, Leni Riefenstahl wanted to have bright spotlights installed. The idea was rejected by the Olympic Committee, as it would hinder the athletes. So Riefenstahl asked the three American and two Japanese finalists to return the next evening, and restaged the action.
- ConexionesEdited into Wunschkonzert (1940)
- Bandas sonorasOlympische Hymnne
Composed by Richard Strauss
Opinión destacada
It was the 1936 Berlin Games that introduced the opening ceremony, the torch relay, the three-tiered presentation ceremony, and the overall sense of lavish, religious spectacle. In a way these are the first modern games. Does it worry you that most of the stuff we most fondly associate with the Olympics originated with the Nazis? It doesn't worry me: the Nazis' moral sense may have been deplorable, but their aesthetic sense was not nearly so bad as people like to pretend.
The most striking thing about Riefenstahl's documentary, viewed today, is its good taste. I admit I haven't seen the whole thing. Split into two parts for German release, it was edited somewhat and released simply as "Olympia" elsewhere, and it's "Olympia" that I've seen. I mention this because it's quite possible that "Olympia" is the version with the jingoism edited out. But I don't think so. (Surely if the film were to wave the swastika offensively, it would do so around the beginning, and the introductory sequence is just marvellous - it no more deserves to be associated with Nazism than Orff's "Carmina Burana".) In any case, if they edited all the jingoism out of a modern, two-hundred-hour Olympic telecast, it would last about ten minutes. It's amazing how much more crass and brazenly nationalistic modern coverage is when compared with Nazi propaganda. Riefenstahl shows races won by people other than Germans (and yes, some of them are non-Aryan) - she even shows us enough of the presentation ceremonies afterwards for us to be able to hear other national anthems! During the local coverage of the Sydney games I heard NOTHING but "Advance Australia Fair". Only other Australians can fully appreciate the horror of this.
Australian sports coverage, of course, was much better when it was in the hands of the state (or rather, the state-owned ABC network) ... but then, Australia is a democracy; the real shock is finding out that even HITLER'S regime could produce more even-handed, tasteful and intelligent Olympics coverage than we'll ever see from a modern commercial network.
Riefenstahl's footage is also more beautiful and better edited, and the athletes in general look LESS like fascist monuments and more like human beings than they do today. But that goes without saying.
The most striking thing about Riefenstahl's documentary, viewed today, is its good taste. I admit I haven't seen the whole thing. Split into two parts for German release, it was edited somewhat and released simply as "Olympia" elsewhere, and it's "Olympia" that I've seen. I mention this because it's quite possible that "Olympia" is the version with the jingoism edited out. But I don't think so. (Surely if the film were to wave the swastika offensively, it would do so around the beginning, and the introductory sequence is just marvellous - it no more deserves to be associated with Nazism than Orff's "Carmina Burana".) In any case, if they edited all the jingoism out of a modern, two-hundred-hour Olympic telecast, it would last about ten minutes. It's amazing how much more crass and brazenly nationalistic modern coverage is when compared with Nazi propaganda. Riefenstahl shows races won by people other than Germans (and yes, some of them are non-Aryan) - she even shows us enough of the presentation ceremonies afterwards for us to be able to hear other national anthems! During the local coverage of the Sydney games I heard NOTHING but "Advance Australia Fair". Only other Australians can fully appreciate the horror of this.
Australian sports coverage, of course, was much better when it was in the hands of the state (or rather, the state-owned ABC network) ... but then, Australia is a democracy; the real shock is finding out that even HITLER'S regime could produce more even-handed, tasteful and intelligent Olympics coverage than we'll ever see from a modern commercial network.
Riefenstahl's footage is also more beautiful and better edited, and the athletes in general look LESS like fascist monuments and more like human beings than they do today. But that goes without saying.
- Spleen
- 6 nov 2001
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- País de origen
- Idiomas
- También se conoce como
- Olympia Part One: Festival of the Nations
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- Tiempo de ejecución2 horas 1 minuto
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- Relación de aspecto
- 1.37 : 1
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By what name was XI Olimpiada, la fiesta de las naciones (1938) officially released in India in English?
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