Agrega una trama en tu idiomaA concert pianist unhappily married to a mentally ill woman falls in love with a waitress.A concert pianist unhappily married to a mentally ill woman falls in love with a waitress.A concert pianist unhappily married to a mentally ill woman falls in love with a waitress.
- Ganó 1 premio Óscar
- 1 premio ganado en total
Eddie Acuff
- Second Bus Driver
- (sin créditos)
Maude Allen
- Woman
- (sin créditos)
Dorothy Appleby
- Waitress
- (sin créditos)
Jane Barnes
- Waitress
- (sin créditos)
Georgie Billings
- Boy Hiding From Policeman
- (sin créditos)
Gladys Blake
- Tenement Resident
- (sin créditos)
Stanley Blystone
- First Bus Driver
- (sin créditos)
Wade Boteler
- Policeman at Pier
- (sin créditos)
Harry C. Bradley
- Reverend Mr. Morris
- (sin créditos)
Helen Brown
- Waitress
- (sin créditos)
Sonny Bupp
- Boy Hiding from Policeman
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaAfter the movie came out, author James M. Cain sued Universal Pictures and director John M. Stahl for copyright violation. Although the movie was based on Cain's novel, "A Modern Cinderella," Cain claimed the filmmakers had stolen the scene where the two lovers take refuge in a church during a storm from his 1937 novel, "Serenade." Screenwriter Dwight Taylor admitted he'd taken the concept of the church scene from "Serenade," but had written an entirely new scene for the movie. The judge in the case ruled against Cain, saying there were significant differences between the book and movie scenes. The case established the legal principle of "scènes à faire" ("scenes to be written"), which states that certain concepts, settings, and devices (i.e. spy gadgets in spy novels) appear in multiple works of fiction and are therefore not subject to copyright laws. Today, the concept of "scènes à faire" is often used in software copyright cases, where certain types of programs, files, and variables appear in all software packages and cannot be copyrighted.
- ConexionesRemade as Interlude (1957)
- Bandas sonorasYankee Doodle
Traditional
Played by the busboys at the labor meeting
Opinión destacada
After Charles Boyer and Irene Dunne had been paired together in the fabulous Love Affair (1939), someone decided to pair them together again (that's the other film of theirs- Together Again (1944)), and this was the result.
It starts as a drama about women going on strike for unfair wages and there's a lot of time devoted to a working people's union, then Dunne meets Boyer and the next part of the film is devoted to their acquaintance, then there is a hurricane and they're forced to take refuge in a church, then there's drama involving Boyer, his unstable wife (gee, it's Barbara O'Neill! What a shocker! 😏) and his love with Dunne, but this being a Hollywood movie, the good couple wins- moralistically, of course. This was made under the production code, after all.
It's not that the film needed a couple of cuts- in fact, with all the plot changes, it should have been half an hour longer, or even two Dunne-Boyer films. It's that it jumps around too much and it's boring.
Dunne's working woman fair wages campaign is pretty much forgotten about after she falls in love with Boyer. Not enough time is given to Barbara O'Neill's character, other than to develop her as a crazy psycho b*tch, and remind us that O'Neill was so much more effective as Boyer's crazy psycho b*tch wife in All This, And Heaven Too (1940).
Dunne is no more or less annoying than usual- she sings a song while Boyer plays the piano, so her fans will like that. Me, I'm not overly fond of her singing, and so I just tuned out until she was done.
She and Boyer have chemistry that was just as good as what they had in Love Affair, and this film has a moralistic ending too, but what the ending of Love Affair is sweet and will bring a tear to your eye, the ending of this one is like "Well, now it's over and you can do something else now." The acting is pretty good, O'Neill is very over-the-top, but if you've seen AT,AHT, you know what to expect from her in a role like this.
Overall, not as good as Love Affair, but not quite as bad as Together Again. It won't kill you if yoy watch it, but it's disappointing.
It starts as a drama about women going on strike for unfair wages and there's a lot of time devoted to a working people's union, then Dunne meets Boyer and the next part of the film is devoted to their acquaintance, then there is a hurricane and they're forced to take refuge in a church, then there's drama involving Boyer, his unstable wife (gee, it's Barbara O'Neill! What a shocker! 😏) and his love with Dunne, but this being a Hollywood movie, the good couple wins- moralistically, of course. This was made under the production code, after all.
It's not that the film needed a couple of cuts- in fact, with all the plot changes, it should have been half an hour longer, or even two Dunne-Boyer films. It's that it jumps around too much and it's boring.
Dunne's working woman fair wages campaign is pretty much forgotten about after she falls in love with Boyer. Not enough time is given to Barbara O'Neill's character, other than to develop her as a crazy psycho b*tch, and remind us that O'Neill was so much more effective as Boyer's crazy psycho b*tch wife in All This, And Heaven Too (1940).
Dunne is no more or less annoying than usual- she sings a song while Boyer plays the piano, so her fans will like that. Me, I'm not overly fond of her singing, and so I just tuned out until she was done.
She and Boyer have chemistry that was just as good as what they had in Love Affair, and this film has a moralistic ending too, but what the ending of Love Affair is sweet and will bring a tear to your eye, the ending of this one is like "Well, now it's over and you can do something else now." The acting is pretty good, O'Neill is very over-the-top, but if you've seen AT,AHT, you know what to expect from her in a role like this.
Overall, not as good as Love Affair, but not quite as bad as Together Again. It won't kill you if yoy watch it, but it's disappointing.
- xan-the-crawford-fan
- 21 sep 2021
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- How long is When Tomorrow Comes?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Give Us the Night
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,000,000 (estimado)
- Tiempo de ejecución1 hora 32 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principales brechas de datos
By what name was When Tomorrow Comes (1939) officially released in Canada in English?
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