Una exitosa mujer de negocios entra en un juego peligroso cuando decide seguirle la pista al hombre que la violó.Una exitosa mujer de negocios entra en un juego peligroso cuando decide seguirle la pista al hombre que la violó.Una exitosa mujer de negocios entra en un juego peligroso cuando decide seguirle la pista al hombre que la violó.
- Ganó 2 premios Óscar
- 7 premios ganados y 10 nominaciones en total
Bunny Beatty
- Maid
- (sin créditos)
Billy Bevan
- Policeman
- (sin créditos)
Best Picture Winners by Year
Best Picture Winners by Year
See the complete list of Best Picture winners. For fun, use the "sort order" function to rank by IMDb rating and other criteria.
Argumento
¿Sabías que…?
- TriviaPer Sir Alfred Hitchcock's instructions, Dame Judith Anderson rarely blinks her eyes while playing Mrs. Danvers.
- ErroresThe oath taken by the policeman at the inquest is incorrect. He quietly adds 'So help me God' at the end. These words are not used in the UK.
- Citas
[the new Mrs. de Winter wants to dispose of Rebecca's letters]
The Second Mrs. de Winter: I want you to get rid of all these things.
Mrs. Danvers: But these are Mrs. de Winter's things.
The Second Mrs. de Winter: *I* am Mrs. de Winter now!
- Créditos curiososThe original 1940 credits read "Selznick International presents its picturization of Daphne Du Maurier's 'Rebecca'". The credits on the re-issue version read "The Selznick Studio presents its production of Daphne Du Maurier's 'Rebecca'".
- Versiones alternativasThe opening credits were re-done (with different font) for the 1950's re-release of the movie. It is these credits that have turned up on all telecasts of the film (even as recently as 2013) and all previous video releases. The Criterion release (which is now only available through outlet stores) restores all of the credits to their original form.
- ConexionesEdited into The Last Tycoon: Pilot (2016)
- Bandas sonorasLove's Old Sweet Song (Just a Song at Twilight)
(1884) (uncredited)
Music by J.L. Molloy
Hummed by Joan Fontaine
Opinión destacada
This is one of my favorite movies of all time. Definitely my favorite classic. There are some that come close, such as Citizen Kane, Spellbound, and Psycho, but none quite compare to this amazing movie.
The first thing that you notice is the outstanding cinematography. You have to remember that this movie was made in 1940, when they didn't have the technology we have now. But that first shot of the water beating up against the rocks grabs you and for one split second you wonder if maybe this isn't part of the movie but rather something filmed just recently. But then you see the familiar face of Laurence Olivier, reminding you that this was made 60 years ago, a fact that forever amazes me. The only oscar it won besides Best Picture was well deserved.
Another thing that makes it such a wonderful film is the acting. I have debated on whether Laurence Olivier's character, the tortured Maxim de Winter, is the pitiable character or if his second wife played by Joan Fontaine is really the one to feel sorry for. Every time I watch it I see it from a different point of view. Joan Fontaine is excellent. Laurence Olivier is wonderful, but that's no surprise. The only thing that bugs me is that it seems in every movie he's in (well, at least, everything I've seen him in), he always plays the same type of character. But he's extremely good at it, so I suppose it doesn't matter.
But although Joan Fontaine and Laurence Olivier are wonderful, Judith Anderson steals the show! The first time I watched the movie, I was immediately grabbed by her stunning performance as the sinister Mrs. Danvers. You hardly notice the other characters when she's in the scene. She acted the part so well that it's strange to imagine that she was any different in real life.
With a wonderful storyline, and a very surprising ending, Rebecca well deserves the title as the only of Hitchcock's films to win the oscar for Best Picture. Although it may not be the most famous of all his films, it is without a doubt the greatest
The first thing that you notice is the outstanding cinematography. You have to remember that this movie was made in 1940, when they didn't have the technology we have now. But that first shot of the water beating up against the rocks grabs you and for one split second you wonder if maybe this isn't part of the movie but rather something filmed just recently. But then you see the familiar face of Laurence Olivier, reminding you that this was made 60 years ago, a fact that forever amazes me. The only oscar it won besides Best Picture was well deserved.
Another thing that makes it such a wonderful film is the acting. I have debated on whether Laurence Olivier's character, the tortured Maxim de Winter, is the pitiable character or if his second wife played by Joan Fontaine is really the one to feel sorry for. Every time I watch it I see it from a different point of view. Joan Fontaine is excellent. Laurence Olivier is wonderful, but that's no surprise. The only thing that bugs me is that it seems in every movie he's in (well, at least, everything I've seen him in), he always plays the same type of character. But he's extremely good at it, so I suppose it doesn't matter.
But although Joan Fontaine and Laurence Olivier are wonderful, Judith Anderson steals the show! The first time I watched the movie, I was immediately grabbed by her stunning performance as the sinister Mrs. Danvers. You hardly notice the other characters when she's in the scene. She acted the part so well that it's strange to imagine that she was any different in real life.
With a wonderful storyline, and a very surprising ending, Rebecca well deserves the title as the only of Hitchcock's films to win the oscar for Best Picture. Although it may not be the most famous of all his films, it is without a doubt the greatest
- sundae
- 10 oct 2000
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Detalles
Taquilla
- Presupuesto
- USD 1,288,000 (estimado)
- Total a nivel mundial
- USD 113,328
- Tiempo de ejecución2 horas 10 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principales brechas de datos
What was the official certification given to Rebeca, una mujer inolvidable (1940) in Canada?
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