Un chico rebelde con un pasado turbio llega a una nueva ciudad en la que encuentra tanto amigos como enemigos.Un chico rebelde con un pasado turbio llega a una nueva ciudad en la que encuentra tanto amigos como enemigos.Un chico rebelde con un pasado turbio llega a una nueva ciudad en la que encuentra tanto amigos como enemigos.
- Nominado a 3 premios Óscar
- 3 premios ganados y 7 nominaciones en total
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Iconic Movie Moments: 'Rebel Without a Cause'
Iconic Movie Moments: 'Rebel Without a Cause'
In celebration of the 65th anniversary of Rebel Without a Cause, we take a look back at the iconic film, starring James Dean, Natalie Wood, and Sal Mineo.
Argumento
¿Sabías que…?
- TriviaThe exterior of the mansion where the main characters confront each other with guns, as well as the empty pool in which they sit and discuss their lives, previously appeared in El ocaso de una vida (1950). The pool had been built specially for the earlier film, as a condition of renting the property from its owner, Mrs. Jean Paul Getty.
- ErroresWhen Jim takes the ammunition clip out of Plato's pistol, he fails to remove the round that would have already been housed in the chamber.
- Versiones alternativasTo receive a UK cinema certificate, the film was extensively cut by the BBFC. The entire knife fight scene between Jim and Buzz was removed, and heavy edits were made to the chicken race scene, to shots of Jim attempting to throttle his father, and to the fight between Jim and probation officer Fremick. Although the distributors initially wanted an 'A' certificate, they were told that further cuts would have to be made, so the above print was released as an 'X'. All later UK releases were fully uncut, and since 1986 the film has been PG rated.
- ConexionesEdited into Histoire(s) du cinéma: Une histoire seule (1989)
- Bandas sonorasRide of the Valkyries
(uncredited)
from "Die Walküre"
Composed by Richard Wagner
[Hummed by Jim in the police station]
Opinión destacada
I was quite impressed with _Rebel Without a Cause_. I expected it to be quite standard, having only gathered its reputation because of the tragedy surrounding James Deans' death. Fortunately, it stood up on its own quite well. Its superficial situations are somewhat dated, which was inevitable, but its themes remain potent after many decades.
The major theme is the burgeoning relationship between adults and their teenage children. All three of the main characters are at different stages in this process. Jim (James Dean) is surprisingly at the earliest stage of this. His mother is pretty distanced and unresponsive already, but he still seems to communicate well with his father (Jim Backus, who is amazing. His character's relationship with his wife also provides an interesting view into 1950s gender politics; in one scene, Backus is wearing a cooking apron, which is very obviously meant for a woman). Judy (Natalie Wood, whom I didn't even recognize here) is almost completely rejected by her father, who feels that her affection is out of place in her teenage years. Worst of all is Plato, both of whose parents have left him alone in the world. He tries desperately to make Jim and Judy his parents (although from this vantage point in time, Plato seems resoundingly sexually attracted to Jim, and he sees Judy as a threat to their relationship. Although the writer/director has denied that forever, no human being can watch it nowadays without that thought constantly crossing their mind).
The reason that I say this film is flawed lies in the actions of Plato near the end of the film. I felt his escalating insanity was kind of a cop-out. Instead of actually delving into Plato's true character and motives by having intelligent and realistic dialogue and actions, he is just made to go batty, wherein he spouts off his thoughts as if he were some eight year old or man-child. Plato may have been sycophantic throughout the film, but he was anything but a moron. His actions provide an easy way for the director/writer to answer all questions about his character, and then to facilitate an ending which is tragic, but more than a little contrived.
Despite what I feel is a cop-out ending, _Rebel Without a Cause remains a thoroughly powerful film. I liked it, and I'll never forget it. 9/10
The major theme is the burgeoning relationship between adults and their teenage children. All three of the main characters are at different stages in this process. Jim (James Dean) is surprisingly at the earliest stage of this. His mother is pretty distanced and unresponsive already, but he still seems to communicate well with his father (Jim Backus, who is amazing. His character's relationship with his wife also provides an interesting view into 1950s gender politics; in one scene, Backus is wearing a cooking apron, which is very obviously meant for a woman). Judy (Natalie Wood, whom I didn't even recognize here) is almost completely rejected by her father, who feels that her affection is out of place in her teenage years. Worst of all is Plato, both of whose parents have left him alone in the world. He tries desperately to make Jim and Judy his parents (although from this vantage point in time, Plato seems resoundingly sexually attracted to Jim, and he sees Judy as a threat to their relationship. Although the writer/director has denied that forever, no human being can watch it nowadays without that thought constantly crossing their mind).
The reason that I say this film is flawed lies in the actions of Plato near the end of the film. I felt his escalating insanity was kind of a cop-out. Instead of actually delving into Plato's true character and motives by having intelligent and realistic dialogue and actions, he is just made to go batty, wherein he spouts off his thoughts as if he were some eight year old or man-child. Plato may have been sycophantic throughout the film, but he was anything but a moron. His actions provide an easy way for the director/writer to answer all questions about his character, and then to facilitate an ending which is tragic, but more than a little contrived.
Despite what I feel is a cop-out ending, _Rebel Without a Cause remains a thoroughly powerful film. I liked it, and I'll never forget it. 9/10
- zetes
- 16 jul 2000
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Rebel Without a Cause
- Locaciones de filmación
- Griffith Observatory, 2800 E Observatory Rd, Los Ángeles, California, Estados Unidos(planetarium and climactic shootout)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 212,780
- Fin de semana de estreno en EE. UU. y Canadá
- USD 116,668
- 23 sep 2018
- Total a nivel mundial
- USD 217,945
- Tiempo de ejecución1 hora 51 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.55 : 1
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By what name was Rebelde sin causa (1955) officially released in India in Hindi?
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