Agrega una trama en tu idiomaWhen Fred Staples is recruited onto the board of a high-powered New York corporation, he finds his ethics and ambition at odds.When Fred Staples is recruited onto the board of a high-powered New York corporation, he finds his ethics and ambition at odds.When Fred Staples is recruited onto the board of a high-powered New York corporation, he finds his ethics and ambition at odds.
- Nominada a1 premio BAFTA
- 1 nominación en total
- D.J. Vandeventer
- (as Jack Livesy)
Argumento
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- TriviaA rare film for the era in that it does not have a musical score.
- ErroresThe dialog in the final scenes, starting with Staples' conversation with his wife in a coffee shop near his office, indicate the events take place well into the evening. However, the exterior shot linking this scene with Staples' confrontation with Ramsey in the Ramsey & Company building, as well as the exterior shot that follows the confrontation, were both taken in broad daylight.
- Citas
Bill Briggs: On our level you don't get fired, you know that. After thirty years of productive work, they can't say to a man like me, "Alright, now get out!" They just can't do that. So what do they do? They create a situation. A situation you can't work in and finally that you can't live in with this tension, abuse. Small humiliations. It all starts out on a scale so subtle, so microscopic that at first you can't really believe it's happening at all. But gradually the thing begins to take shape. The pieces fit together - all the little bits. And it becomes unmistakable. They chip away at your pride, your security until you begin to have doubts, and then fears.
- ConexionesReferenced in American Masters: Rod Serling: Submitted for Your Approval (1995)
Van Heflin, who plays the lead role as Fred Staples, is an actor who I never appreciated until late in my movie viewing life. Shame on me. I can't explain this other than the fact that I didn't see either "3:10 to Yuma" or "Act of Violence" until well into middle age, and I can thank Turner Classic Movies for finally introducing me to these films, to Van Heflin, and to much, much more than that. Heflin is a very natural, often understated professional. When I see him in a movie, his portrayals appear very real to me, as if he isn't reading the lines of a script written by someone else but rather speaking his own words very credibly and seamlessly. I think that this is what excellent acting is all about. Ed Begley, Sr. also appears in one of the best roles of his career, if not the very best, as Bill Briggs, the corporate executive who is being replaced by Staples and who is humiliated and degraded as a human being during the ugly process. Everett Sloan is perfectly cast as Mr. Ramsey, the egotistical, ruthless CEO who brutally intimidates any subordinate who stands in the way of his corporate goals and vision. Elizabeth Wilson, as the loyal secretary awkwardly transferred from Briggs, her beloved, longtime boss, to Staples, the new darling on the block, and Beatrice Straight, as Staples' sympathetic, sensible wife, both provide outstanding support.
I also liked how the director, Fielder Cook, created the fast pace of the corporation, at least at the height of its activity during normal business hours. I'm sorry that I missed Richard Kiley as Staples in the original play written for television. He is an actor who successfully played a wide range of characters from the very naive, inexperienced teacher in "Blackboard Jungle", to the crime-busting lawyer in "The Phenix City Story", and finally to the charismatic Don Quixote in the musical "Man of La Mancha".
The nightmarish view from the straining eyes of a stricken Biggs as his colleagues helplessly peer over him is very distressful. I recognize Mr. Serling's very distinctive influence here at a very critical moment in the film. Beyond this movie, the writer was among the most brilliant and creative contributors to the much missed "golden age of television".
- frankwiener
- 22 oct 2016
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- El precio del triunfo
- Locaciones de filmación
- Pine Street and Nassau Street, Manhattan, Nueva York, Nueva York, Estados Unidos(Nancy drops off Fred on his first day at work)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 23 minutos
- Color
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