CALIFICACIÓN DE IMDb
5.8/10
1.1 k
TU CALIFICACIÓN
La inspectora de policía francesa Maigret investiga la muerte de una acaudalada viuda de París y termina persiguiendo al asesino en las vigas de la Torre Eiffel.La inspectora de policía francesa Maigret investiga la muerte de una acaudalada viuda de París y termina persiguiendo al asesino en las vigas de la Torre Eiffel.La inspectora de policía francesa Maigret investiga la muerte de una acaudalada viuda de París y termina persiguiendo al asesino en las vigas de la Torre Eiffel.
- Premios
- 1 nominación en total
Howard Vernon
- Inspector
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaProducer Irving Allen was the original director, but after only three days of shooting, Charles Laughton threatened to quit if Burgess Meredith did not take over. Laughton directed the scenes in which Meredith appeared.
- ErroresRadek manages to climb from the ground almost to the top of the Eiffel tower, on the outside using the framework only, in record time using no climbing equipment and dressed in street clothes. Although the distance is actually only 300 meters, it would take even a professional climber at least a couple of hours as the headwinds and cross currents would make it hugely difficult and time consuming. Yet at times, Radek manages to climb faster than the tower elevator can move.
- Citas
Inspector Jules Maigret: [to Johann Radek] By the way - there's one thing I'd like to know. Am I following you, or are you following me?
- Créditos curiososIn the opening credits, the "City of Paris" is given fifth billing as a star of the film.
- ConexionesEdited into Tout (ou presque) sur Maigret (2009)
Opinión destacada
It did not surprise me to discover after watching this film that three different persons directed it. There is no consistent vision to the film, and the narrative is poorly handled: the plot is complicated, with multiple story threads that are not coherently executed. Shot in Anscocolor, an experimental colour processing technique, the film has a strange, washed out look to it, which could be the result of film stock degrading, as everything seems to have a yellow tinge. In general, the film is quite a drag - not particularly well made, nor easy to follow - however it has a significant amount of minor virtues.
The acting in the film is quite adequate, with Charles Laughton doing the best to make his detective character charismatic: he twitches his nose, smokes a pipe, and talks in an almost monotone voice when he is dealing with a suspect. Franchot Tone comes off the best though, giving a real sense of life to his character, a mastermind criminal who is obsessed with the idea that he cannot be caught, and often raves about it to Laughton. Even Burgess Meredith has some interesting moments as an insecure, introverted man caught up in the mess somewhere.
The music, cinematography and art direction are all adequately good too. The music fits to the appropriate mood of each scene, the camera-work is interesting now and again, either following the characters around or tilting up to look at the different bits of scenery, and the scenery, the locations all fit the tale reasonably well. Set in Paris, yet with Americans involved, there is a sense that this is a foreign environment where no one really knows the rules.
It is not a completely virtue-less movie, but it is still a mess overall. There are a number of jump cuts, although with four threads of story poorly woven together, a continuity error here and there does not disrupt too much. The dialogue is rather lame and often only says the obvious, plus the style of the film is melodramatic, and it often seems overdone. A humorous touch or two, Tone's performance and okay music are pretty much all that makes it bearable.
The acting in the film is quite adequate, with Charles Laughton doing the best to make his detective character charismatic: he twitches his nose, smokes a pipe, and talks in an almost monotone voice when he is dealing with a suspect. Franchot Tone comes off the best though, giving a real sense of life to his character, a mastermind criminal who is obsessed with the idea that he cannot be caught, and often raves about it to Laughton. Even Burgess Meredith has some interesting moments as an insecure, introverted man caught up in the mess somewhere.
The music, cinematography and art direction are all adequately good too. The music fits to the appropriate mood of each scene, the camera-work is interesting now and again, either following the characters around or tilting up to look at the different bits of scenery, and the scenery, the locations all fit the tale reasonably well. Set in Paris, yet with Americans involved, there is a sense that this is a foreign environment where no one really knows the rules.
It is not a completely virtue-less movie, but it is still a mess overall. There are a number of jump cuts, although with four threads of story poorly woven together, a continuity error here and there does not disrupt too much. The dialogue is rather lame and often only says the obvious, plus the style of the film is melodramatic, and it often seems overdone. A humorous touch or two, Tone's performance and okay music are pretty much all that makes it bearable.
- sol-
- 2 jul 2006
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Detalles
Taquilla
- Presupuesto
- USD 900,000 (estimado)
- Tiempo de ejecución1 hora 37 minutos
- Relación de aspecto
- 1.37 : 1
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Principales brechas de datos
By what name was El hombre de la torre Eiffel (1949) officially released in India in English?
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