CALIFICACIÓN DE IMDb
7.0/10
17 k
TU CALIFICACIÓN
Una actriz en apuros intenta ayudar a un amigo a demostrar su inocencia cuando es acusado de asesinar al marido de una artista de la alta sociedad.Una actriz en apuros intenta ayudar a un amigo a demostrar su inocencia cuando es acusado de asesinar al marido de una artista de la alta sociedad.Una actriz en apuros intenta ayudar a un amigo a demostrar su inocencia cuando es acusado de asesinar al marido de una artista de la alta sociedad.
- Premios
- 2 premios ganados y 1 nominación en total
Alastair Sim
- Commodore Gill
- (as Alistair Sim)
Miles Malleson
- Mr. Fortesque
- (as Miles Mallison)
André Morell
- Inspector Byard
- (as Andre Morell)
Robert Adair
- Rough Individual
- (sin créditos)
Alfie Bass
- Stage Hand With Microphone
- (sin créditos)
Hyma Beckley
- Man in Pub
- (sin créditos)
Gordon Bell
- 2nd Chauffeur
- (sin créditos)
Gerald Case
- Policeman
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaIn an extraordinary move for the normally controlling director, Sir Alfred Hitchcock allowed Marlene Dietrich an exceptional amount of creative control for this movie, particularly in how she chose to light her scenes. Hitchcock knew that Dietrich had learned a great deal of the art of cinematography from Josef von Sternberg and Günther Rittau and let her work with Cinematographer Wilkie Cooper to light and set her scenes the way that she wished.
- ErroresIn the opening credits, Alastair Sim's name is misspelled as "Alistair Sim".
- Citas
Charlotte Inwood: He was an abominable man. Why do women marry abominable men?
- Créditos curiososThe opening credits depict a theatrical safety curtain being raised to reveal the opening shot of London.
- Versiones alternativasA French VHS released in the nineties contained two versions of the film: one dubbed, the other subtitled. Beside this difference numerous edits were made in the dubbed version. Many scenes were shortened such as the talk between Eve and her father outside the boathouse in the night, Eve's attempt to disguise herself as a maid... However, and more importantly, this version contained two longer scenes not present in any copy released on VHS or DVD so far.
- The first one is an extension of the bar discussion scene between the maid and the other patrons, right before Eve asks Wilfred Smith "Don't you think she's talking too much?" The dialog is dubbed in French.
- The second scene is a slightly but magnificent longer version of Marlene Dietrich singing "The Laziest Gal in Town". The complete song runs 4 minutes instead of 3.37 in the edited version. The cut occurs after the first "it's not 'cause I couldn't" in the lyrics.
- ConexionesFeatured in Marlene (1984)
- Bandas sonorasThe Laziest Gal in Town
(1950) (uncredited)
Written by Cole Porter
Performed by Marlene Dietrich and a male quartet
Opinión destacada
With such an unusual set of components, it was probably inevitable that "Stage Fright" would be a little uneven, but most of it works well enough. By Hitchcock's standards, it's average at best, but it is still an entertaining movie with an interesting story and a number of good sequences.
Simply seeing the distinctive persona of Marlene Dietrich and the enjoyably unique style of Alastair Sim in an Alfred Hitchcock film would make for an interesting combination in itself. They are joined by a generally solid group of performers, with their own individual styles, and there are several characters who all get fairly sizable roles.
Hitchcock's own approach here is a somewhat surprising contrast from his usual style of story-telling, and some of the developments must have seemed even more unexpected to the movie's original viewers. Another aspect of this is that for much of the movie none of the characters really takes and holds the focus, and as a result there are times when it seems to lack some flow.
Yet there are a number of good points to it as well. There are plenty of the usual Hitchcock details that make things more interesting, and most of the cast members give good performances in themselves. Most of Hitchcock's movies are rather better than this one, but watching "Stage Fright" is still a better use of one's time than watching the weak present-day efforts in the genre.
Simply seeing the distinctive persona of Marlene Dietrich and the enjoyably unique style of Alastair Sim in an Alfred Hitchcock film would make for an interesting combination in itself. They are joined by a generally solid group of performers, with their own individual styles, and there are several characters who all get fairly sizable roles.
Hitchcock's own approach here is a somewhat surprising contrast from his usual style of story-telling, and some of the developments must have seemed even more unexpected to the movie's original viewers. Another aspect of this is that for much of the movie none of the characters really takes and holds the focus, and as a result there are times when it seems to lack some flow.
Yet there are a number of good points to it as well. There are plenty of the usual Hitchcock details that make things more interesting, and most of the cast members give good performances in themselves. Most of Hitchcock's movies are rather better than this one, but watching "Stage Fright" is still a better use of one's time than watching the weak present-day efforts in the genre.
- Snow Leopard
- 25 oct 2004
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- How long is Stage Fright?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Stage Fright
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,437,000 (estimado)
- Total a nivel mundial
- USD 511
- Tiempo de ejecución1 hora 51 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was Desesperación (1950) officially released in India in English?
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