Su gran amor

I suppose that when "Europa '51" was going to be filmed there was a great professional mutual understanding between Rossellini (the director) and Ingrid Bergman (main actress). It's really astonishing the way Ingrid Bergman's face changes throughout the movie. She really looks like a "human God" (specially towards the end) just by looking at her expressions. If you have the opportunity of watching "Europa '51" twice, you will notice that her character in the beginning of the story, where Irene Girard (Ingrid Bergman) is the mother of a well-off family, is totally different from the last shots. I also like how Irene contrasts with the way of living of the poor children and working-women. Although Rossellini's movie is a bit lengthy, bearing in mind it was made in Italy in 1952, many events occur with short scenes perfectly connected obtaining a gorgeous dynamism as a whole. I'm almost sure that my favorite scene is the same as the majority of the people who watched "Europa '51". I refer to the moving ending of the story. I also like how the camera moves around capturing the contrast of expressions between the sick patients and Irene. I encourage everybody to watch this masterpiece, even twice!