CALIFICACIÓN DE IMDb
6.7/10
1.8 k
TU CALIFICACIÓN
Una joven víctima de violación intenta desesperadamente su vida, solo para encontrarse a merced de un posible rescatador.Una joven víctima de violación intenta desesperadamente su vida, solo para encontrarse a merced de un posible rescatador.Una joven víctima de violación intenta desesperadamente su vida, solo para encontrarse a merced de un posible rescatador.
Nancy Baker
- Bit Part
- (sin créditos)
Virginia Baker
- Girl in the 5 & 10
- (sin créditos)
Reid Cruickshanks
- Bit Part
- (sin créditos)
Robert Dahdah
- Crowd
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaCarroll Baker says, "The production company wouldn't pay Aaron Copland's fee to do the score, so Jack (Garfein) and I paid him ourselves. I had to appear in two or three westerns after that just to make up the difference."
- ErroresThe same NYC Transit cop that helped MaryAnn on the platform is the same cop who brought her home in a patrol car. In those days the Transit Police would have had to hand her over to an NYPD Officer if she needed to be taken home in a patrol car as the Transit Cops in 1961 would not have been able to leave their posts and had no access to a patrol vehicle.
- Citas
Mary Ann Robinson: Why do you want me to stay?
Mike: You're my last chance.
Mary Ann Robinson: I'm what?
Mike: I said, you're my last chance.
- ConexionesFeatured in TCM Guest Programmer: U.S. Critics (2010)
Opinión destacada
Actually, New York,New York is the real star of SOMETHING WILD. Carroll Baker is lovingly lit throughout the whole picture(thanks to Director and then husband Jack Garfein)amidst the alternate squalor and splendor of America's greatest city.
The brutal rape of Miss Baker's character within the first 5 minutes of the movie is depicted with surprising frankness for its time. One can almost smell the sweat of the predatory thug who, without saying a word, viciously violates her. This scene is all the more harrowing in that there is no music soundtrack provided. Yet another example that The Hays Code was becoming by 1961 an historical document not reflecting the current mood of what the North American movie public was indeed mature enough to view on the silver screen.
I really enjoyed the kitchen sink realism of this picture, from the cattiness of the girls at Woolworth's against fellow worker Miss Baker(Doris Roberts nails her part for all it's worth) to the good natured slovenliness of Jean Stapleton's next door neighbor in the tenement slum.
Ralph Meeker(every man's meat&potatoes actor)is Carroll Baker's 'knight in shining armor' in this movie. Rescuing Miss Baker from a leap into despair and the briny deep, he then proceeds to hold her captive in his castle,or in this case a barren basement bed and...bed. "Mike" is an auto mechanic and yet he has no phone,no radio, and just one light bulb that illuminates the entire room. However, away from the elbow grease of his job, "Mike" likes to spend his hard earned money bending his elbow at the neighborhood bar. We see the staggering evidence on more than one occasion and poor Carroll, already victimized earlier now has to confront yet another man turned beast.
Of particular notice is Carroll Baker's wardrobe throughout this flick. She wears light-colored dresses and matching white pumps which, with her soft, flowing blonde hair, enhances her already luminous presence on screen. This is all the more striking in black & white,particularly during the location shots along the sleazy store fronts of 42nd St. Only at the movie's end does she wear a dark print dress and jet black high heels. Likewise in BABY DOLL, Miss Baker wore white until the final reel,after her climactic encounter with Eli Wallach,in which she then donned a black dress.
Parallels may be drawn between the two movies, but SOMETHING WILD is as valid today as a subway token. Some days you are lucky to find a seat,while on others you better hold on to the overhanging strap.
Rate this *** out of **** stars.
The brutal rape of Miss Baker's character within the first 5 minutes of the movie is depicted with surprising frankness for its time. One can almost smell the sweat of the predatory thug who, without saying a word, viciously violates her. This scene is all the more harrowing in that there is no music soundtrack provided. Yet another example that The Hays Code was becoming by 1961 an historical document not reflecting the current mood of what the North American movie public was indeed mature enough to view on the silver screen.
I really enjoyed the kitchen sink realism of this picture, from the cattiness of the girls at Woolworth's against fellow worker Miss Baker(Doris Roberts nails her part for all it's worth) to the good natured slovenliness of Jean Stapleton's next door neighbor in the tenement slum.
Ralph Meeker(every man's meat&potatoes actor)is Carroll Baker's 'knight in shining armor' in this movie. Rescuing Miss Baker from a leap into despair and the briny deep, he then proceeds to hold her captive in his castle,or in this case a barren basement bed and...bed. "Mike" is an auto mechanic and yet he has no phone,no radio, and just one light bulb that illuminates the entire room. However, away from the elbow grease of his job, "Mike" likes to spend his hard earned money bending his elbow at the neighborhood bar. We see the staggering evidence on more than one occasion and poor Carroll, already victimized earlier now has to confront yet another man turned beast.
Of particular notice is Carroll Baker's wardrobe throughout this flick. She wears light-colored dresses and matching white pumps which, with her soft, flowing blonde hair, enhances her already luminous presence on screen. This is all the more striking in black & white,particularly during the location shots along the sleazy store fronts of 42nd St. Only at the movie's end does she wear a dark print dress and jet black high heels. Likewise in BABY DOLL, Miss Baker wore white until the final reel,after her climactic encounter with Eli Wallach,in which she then donned a black dress.
Parallels may be drawn between the two movies, but SOMETHING WILD is as valid today as a subway token. Some days you are lucky to find a seat,while on others you better hold on to the overhanging strap.
Rate this *** out of **** stars.
- dbonk
- 22 ago 2004
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Something Wild
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 53 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1(original ratio)
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Principales brechas de datos
By what name was Marcados por un destino (1961) officially released in India in English?
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