La familia de un abogado es acosada por un hombre al que ayudó a meter en la cárcel.La familia de un abogado es acosada por un hombre al que ayudó a meter en la cárcel.La familia de un abogado es acosada por un hombre al que ayudó a meter en la cárcel.
- Lt. Gervasi
- (as Thomas Newman)
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- TriviaGregory Peck later said regarding Robert Mitchum, "I had given him the role and had paid him a terrific amount of money. It was obvious he had the better role. I thought he would understand that, but he apparently thought he acted me off the screen. I didn't think highly of him for that."
- ErroresWhen Nancy runs into the school, she knocks some papers off a desk. When the man pursuing her follows, the papers are back on the desk.
- Citas
[last lines]
Max Cady: [Bowden has shot Cady and is holding the gun on him] Go ahead. I just don't give a damn.
Sam Bowden: No. No! That would be letting you off too easy, too fast. Your words - do you remember? Well I do. No, we're gonna take good care of you. We're gonna nurse you back to health. And you're strong, Cady. You're gonna live a long life... in a cage! That's where you belong and that's where you're going. And this time for life! Bang your head against the walls. Count the years - the months - the hours... until the day you rot!
- ConexionesEdited into The Making of 'Cape Fear' (2001)
Having seen the remake first I wanted to go back and see it done originally. My first impression was that the remake had done some elements better than this. For example Nolte's lawyer is a lot less clean-cut than Pecks'. Also the sexual threat to the daughter is a lot more played out in the remake. Getting past this I saw how this was actually a better film in many ways. As a drama it moves along at a good pace not jumping from one thrill to the next but not dragging either.
The film can only hint at the deeds of Cady because of the censors but it is clear even to the blind that Cady is a monster. This ups the tension as everything is slowly build to and we don't get a bloody or sexually shocking scene as a pay-off, no, here the tension is build on top of other tension. The direction is good, giving a dark feel to the look of the film as well as hinting constantly. Even if some of the thrills are signposted it still works well.
However, without Mitchum's performance this would be a very different film. With the help of De Niro's sneer or menacing tattoos, he is still a better Cady. He is on top form where De Niro wore his threat large, Mitchum hints at it under a veneer of casual disinterest, making the threat seem bigger when he acts. Peck is good even if his character is too clean-cut when he should have been pushed further over the line for my tastes. Bergen doesn't have much to do, but her final scene with Mitchum is powerful and she really lets rip. Martin is perfectly cast she looks like a child but also is `developed' enough to be a sexual role for Mitchum to prey on. It is easy to watch her as Mitchum closes in on her, almost licking his lips, but that's the power of the film.
Overall this manages to be powerful and thrilling despite the censors and is a really good drama. However it is totally carried by a monstrous yet subtle performance by Mitchum. De Niro was good in the role but once you've seen this you'll realise that menace can be acted subtly and not just by sneering and getting tonnes of tattoos.
- bob the moo
- 4 dic 2002
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Detalles
Taquilla
- Presupuesto
- USD 3,000,000 (estimado)
- Tiempo de ejecución1 hora 46 minutos
- Color
- Relación de aspecto
- 1.85 : 1