CALIFICACIÓN DE IMDb
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TU CALIFICACIÓN
Las románticas y caballerescas aventuras del bastardo adoptado Tom Jones en la Inglaterra del siglo XVIII.Las románticas y caballerescas aventuras del bastardo adoptado Tom Jones en la Inglaterra del siglo XVIII.Las románticas y caballerescas aventuras del bastardo adoptado Tom Jones en la Inglaterra del siglo XVIII.
- Ganó 4 premios Óscar
- 20 premios ganados y 20 nominaciones en total
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Argumento
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- TriviaIt took two nights to film the sequence in which Squire Western chases after Tom. The second night, Hugh Griffith managed to undo the wiring on his riding crop, and actually hit Albert Finney with it, drawing blood. In character, Finney turned on Griffith and said, "I can't abide to be whipped, Squire," then punched him in the face. Each stalked off the set, swearing never to work with the other again.
- ErroresAfter Lady Bellaston reads Tom's letter proposing marriage, she wads it into a small ball. Lady Bellaston later shows the letter to Sophie's aunt, but it is now smooth and uncrumpled.
- Créditos curiososOpening credits: In the west of England there was once a Squire Allworthy. After several months in London he returned home. his sister, Bridget. his servants. after supper. "Mrs. Wilkins!" "aaah!" a baby! abandoned!!! "how did it get here?" "who can the mother be?" "Jenny Jones!" "who is the father Jenny?" "send for Partridge the barber!" Partridge the barber - the father? "I will deal with you later, sir!" "you must be sent away from this shame and degradation." "as for your child . . . . . " "I will bring him up as if he were my own son." "what will you call him brother?" "Tom Jones." of whom the opinion of all was that he was born to be hanged.
- Versiones alternativasFor the 1989 reissue/restoration, the director trimmed approx. 7 minutes from the original. The initial home video release in 1981 on the Magnetic Video label contains the full-length original, which includes the following footage/dialogue cut from the reissue:
- Tom running from Squire Western; Black George caught for killing sheep; trial
- Sophie: "Oh, my little bird."
- Molly being called a slut by her family: "You will have a bastard"
- Tom/Sophie montage: Tom reading, eating nuts, picking berries, Tom and Sophie singing
- Teachers fighting Tom; Tom going around tree; riding teacher
- Tom's dream at the Inn
- Sophie and Lady Fitzpatrick: Trimmed frames from laughing
- Sophie and Lady Fitzpatrick: "What will you do in London?" "I have a friend..."
- Sophie and Lady Fitzpatrick: "What about your friend?" "He is away for a few days. When he returns we shall make other arrangements."
- Lady Bellaston and Lady Fitzpatrick: "The girl is obviously intoxicated and nothing less than ruin will content her."
- Lady Bellaston muttering French phrase at dinner
- Lady Bellaston: Dialog after "Are you afraid of the word 'rape'?"
- Transition from Bellaston and Fellamore to Tom and Partridge
- Transition from Tom and Partridge to "Rape"
- Partridge and Tom: "She'll be the one to break it off"; transition to note; dialog: Narrator reads letter, Bellaston remarks to maid not to receive Tom Jones again.
- "Scandal are the best sweeteners of tea."; transition
- Partridge looking for people to uphold Tom's character (in the original he approaches one man, then two more - scene of him approaching the first man was cut)
- No reprise of song for Tom as he's going to be hanged
- End titles (re-done for reissue with restoration credits and extended music by 15 seconds, while cutting some of the original company credits)
- ConexionesFeatured in Precious Images (1986)
Opinión destacada
A fun and fresh screen adaption of British writer Henry Fielding's 18th Century novel of the same name, made at the threshold of the swinging (19)Sixties. Like the original story's French counterpart (Les Liaisons Dangereuses=Dangerous Liaisons), at its heart is a mannered metropolitan love triangle.
But before we arrive in the heart of London the stage is set amidst the lush green English countryside in Summer. Here we first meet the protagonist, Tom Jones, played by Albert Finney in his most youthful bloom, and his extended family representing every facet of post-Glorious Revolution England.
An incorrigible ne'er-do-well, Tom's genuine love for his neighbor Squire Alworthy's daughter Sophie (a very lovely Susannah York), takes him to the heart of fashionable London society in a series of comedic wrong-turns and misunderstandings. Here he becomes embroiled in the games of the jaded aristocrat Lady Bellaston played by Joan Greenwood. Greenwood steals the show as the original Mrs. Robinson and, through her machinations, Tom is led to the gallows. But at the last minute...
Throughout the movie is paced with a modern sense of realism, made effective by hand-held camera sequences and the quick editing of Antony Gibbs. Old-fashioned film techniques are used effectively with eye-to-the-camera realism, and convey an up-to-date feel. There are moments of beauty as well as comedy in this very satisfying entertainment. The cast is stellar with many familiar names--Hugh Griffith, Rachel Kempson, David Warner (in his first movie), the settings realistic, and the the musical score a perfect fit. A great time overall!
An interesting note, supposedly this is the last movie seen by John F. Kennedy (in a White House screening) before he was assassinated.
But before we arrive in the heart of London the stage is set amidst the lush green English countryside in Summer. Here we first meet the protagonist, Tom Jones, played by Albert Finney in his most youthful bloom, and his extended family representing every facet of post-Glorious Revolution England.
An incorrigible ne'er-do-well, Tom's genuine love for his neighbor Squire Alworthy's daughter Sophie (a very lovely Susannah York), takes him to the heart of fashionable London society in a series of comedic wrong-turns and misunderstandings. Here he becomes embroiled in the games of the jaded aristocrat Lady Bellaston played by Joan Greenwood. Greenwood steals the show as the original Mrs. Robinson and, through her machinations, Tom is led to the gallows. But at the last minute...
Throughout the movie is paced with a modern sense of realism, made effective by hand-held camera sequences and the quick editing of Antony Gibbs. Old-fashioned film techniques are used effectively with eye-to-the-camera realism, and convey an up-to-date feel. There are moments of beauty as well as comedy in this very satisfying entertainment. The cast is stellar with many familiar names--Hugh Griffith, Rachel Kempson, David Warner (in his first movie), the settings realistic, and the the musical score a perfect fit. A great time overall!
An interesting note, supposedly this is the last movie seen by John F. Kennedy (in a White House screening) before he was assassinated.
- dragon-90
- 7 jul 2000
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- USD 1,000,000 (estimado)
- Tiempo de ejecución2 horas 9 minutos
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Principales brechas de datos
By what name was Tom Jones, hombre de audacia (1963) officially released in India in English?
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