CALIFICACIÓN DE IMDb
7.7/10
25 k
TU CALIFICACIÓN
Monsieur Hulot visita el mundo impulsado por la tecnología de su hermana, cuñado y sobrino, pero no puede encajar en ese entorno.Monsieur Hulot visita el mundo impulsado por la tecnología de su hermana, cuñado y sobrino, pero no puede encajar en ese entorno.Monsieur Hulot visita el mundo impulsado por la tecnología de su hermana, cuñado y sobrino, pero no puede encajar en ese entorno.
- Ganó 1 premio Óscar
- 7 premios ganados y 4 nominaciones en total
Jacques Tati
- Monsieur Hulot
- (sin créditos)
Lucien Frégis
- Monsieur Pichard
- (as Lucien Fregis)
Jean-François Martial
- Monsieur Walter
- (as J.F. Martial)
Alain Bécourt
- Gérard Arpel
- (as Alain Becourt)
Régis Fontenay
- Braces Dealer
- (as Regis Fontenay)
Daki
- Daki, the Arpels' Dachshund
- (sin créditos)
Dominique Derly
- La secrétaire de Monsieur Arpel
- (sin créditos)
- …
André Dino
- Le balayeur municipal
- (sin créditos)
- …
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaJacques Tati borrowed dogs from a local pound for the film and took care of the dogs all through filming. Tati made several shots of them, which he later used to connect scenes. When filming was over, he didn't want to bring the dogs back to the pound, so he placed an advertisement in the newspaper, calling them "movie stars"; all dogs eventually were taken in by respectable families throughout Paris.
- ErroresWhenever M. Arpel parks his car in his tiny home garage, he always pulls in front-end first; however, whenever he leaves for work in the morning, the car always exits the garage front-end first. (This may be a subtle sight gag on (Jacques Tati)'s part.)
- Citas
Charles Arpel: We could go to the Sexy Club.
Madame Arpel: I prefer Constantino and his nice music.
- Créditos curiososThe opening credits appear on signs at a construction site.
- Versiones alternativasAn English version of the movie, that is some 10 minutes shorter with less dialogue, was shot side-by-side with the French version.
- ConexionesFeatured in Omnibus: Monsieur Hulot's Work (1976)
Opinión destacada
The word I would use to describe this film is "amusing", not "hilarious"; "amusant" rather than "rigolo". It gently charms a smile onto your face. Only rarely does it bring out an actual guffaw (when M. Hulot is faced with his sister's kitchen, for example). Tati refuses to impose his own ideas of what is important on the viewer, which is usually done by spending more screen time on them or zooming in. The title (usually considered to be important) is a scrawled piece of graffiti which stays on the screen for less than 1/2 second, but there are long sequences showing M. Hulot's apartment. The viewer has to work to see Hulot appearing (apparently randomly) in the various windows of the building as he walks through it. I love the window which is inexplicably at foot level in which you can see Hulot's feet turn to the wall as the feet of a woman dressed only in a slip appear.
In other words, this film is a stroll where, if you keep your eyes open, you will spot some amusing things going on. And France is a great place for a stroll.
Two more things. While the comparison to Chaplin is apt, I was led to think of later characters, particularly Hrundi Bakshi in Blake Edwards' The Party and another almost silent character, Rowan Atkinson's Mr. Bean. Indeed I'm sure Atkinson stole ideas from this film.
Also, I think it is misleading to focus too much attention on M. Hulot's struggles with modern tech. The title, Mon Oncle, should direct our attention to the nephew, for whom Hulot is a parole from the prison of his sterile house, enabling him to run with the kids, get dirty, buy doughnuts from a grubby vendor who applies the icing sugar with a bare hand and play practical jokes on passers-by (with Hulot ready to cover for him if need be). Fifty years later these comments are even more biting as we look at a whole generation of children raised in this kind of inhuman antiseptic environment: overweight, with eating disorders and allergies, socially inept with only a TV and a video game for a friend. Makes a dachshund in a red coat want to run with the mutts and tip over a garbage can or two, doesn't it?
In other words, this film is a stroll where, if you keep your eyes open, you will spot some amusing things going on. And France is a great place for a stroll.
Two more things. While the comparison to Chaplin is apt, I was led to think of later characters, particularly Hrundi Bakshi in Blake Edwards' The Party and another almost silent character, Rowan Atkinson's Mr. Bean. Indeed I'm sure Atkinson stole ideas from this film.
Also, I think it is misleading to focus too much attention on M. Hulot's struggles with modern tech. The title, Mon Oncle, should direct our attention to the nephew, for whom Hulot is a parole from the prison of his sterile house, enabling him to run with the kids, get dirty, buy doughnuts from a grubby vendor who applies the icing sugar with a bare hand and play practical jokes on passers-by (with Hulot ready to cover for him if need be). Fifty years later these comments are even more biting as we look at a whole generation of children raised in this kind of inhuman antiseptic environment: overweight, with eating disorders and allergies, socially inept with only a TV and a video game for a friend. Makes a dachshund in a red coat want to run with the mutts and tip over a garbage can or two, doesn't it?
- Bologna King
- 5 abr 2005
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Mon Oncle
- Locaciones de filmación
- Place d'Armes, Saint-Maur-des-Fossés, Val-de-Marne, Francia(street scenes)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- FRF 250,000 (estimado)
- Total a nivel mundial
- USD 87,399
- Tiempo de ejecución1 hora 56 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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