CALIFICACIÓN DE IMDb
6.7/10
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TU CALIFICACIÓN
Durante las vacaciones de verano, dos colegialas católicas aburridas juran convertirse en satanistas y practican una serie de juegos cada vez más peligrosos y morbosos.Durante las vacaciones de verano, dos colegialas católicas aburridas juran convertirse en satanistas y practican una serie de juegos cada vez más peligrosos y morbosos.Durante las vacaciones de verano, dos colegialas católicas aburridas juran convertirse en satanistas y practican una serie de juegos cada vez más peligrosos y morbosos.
Henri Poirier
- Monsieur Fournier
- (as Henry Poirier)
Jean-Daniel Ehrmann
- Le commissaire
- (as Jean Daniel Ehrmann)
Argumento
¿Sabías que…?
- TriviaThis movie was also known as "The French movie that was banned in France"?
- ErroresDuring the Satanic Mass and the following Lake Scene, the two girls wear see-through dresses. During the Mass, one can easily notice that Lore is wearing black panties, but, during the Lake Scene, she evidently wears nothing under her dress.
- ConexionesFeatured in Monsieur Cinéma: Episode dated 23 January 1972 (1972)
- Bandas sonorasDis, Ferme un Instant les Yeux
Music by Dominique Ney
Lyrics by Gilles Olivier
Performed by Anne Germain
Opinión destacada
I recently made a binge of DVD purchases, and among these were 6 Mondo Macabro releases I had been eyeing for some time. This is the first one I checked out, and it's a stunner - for several reasons! I had never heard of the film before its DVD announcement - but now I feel that it's been seriously neglected and, hopefully, Mondo Macabro's wonderful "Special Edition" can give this title a new lease of life.
Inspired by the same events which were eventually treated directly in Peter Jackson's HEAVENLY CREATURES (1994), the film is a perverse little item with rampant anti-Catholicism at its fore and which, unsurprisingly, was banned when it emerged; with this in mind, I love the way Mondo Macabro ended their description of it on the back cover: "It's a film that should be viewed only by those with very open minds"! Concerning two teenage girls' rebellion against their repressed upbringing by making a Satanic pact, in which they dedicate their lives to committing evil, it reminded me of other notorious "Chick Flicks" from the same era such as ALUCARDA (1975) and TO BE TWENTY (1978). The film doesn't have much of a plot and is deliberately paced, but it's held firmly together by the deliciously malevolent performances of the two leads (and particularly the untrained Jeanne Goupil, from whose viewpoint the events are related, and who subsequently hitched up with first-time director and former actor Seria!).
It seems to me that the reason the film is so obscure is that, when new, it was ahead of its time but, even now, it would be almost impossible to make (despite the ostensibly graphic nature of French cinema today) - featuring any number of shocking and potentially offensive images, which I won't spoil here for the uninitiated! Still, I have to mention the disturbing double rape inflicted - or, rather, invited - upon Catherine Wagener (though playing under-aged, the actress was actually 19 at the time) and the incredible finale, set inside a crowded school auditorium, which is sparked {sic} by the two girls' recital on stage of a strange poem by Baudelaire. The simple yet haunting music - performed on the organ or as a cantata - is highly effective, and the DVD extras (featuring, among others, separate interviews with Seria and Goupil) complement the film very nicely indeed.
Inspired by the same events which were eventually treated directly in Peter Jackson's HEAVENLY CREATURES (1994), the film is a perverse little item with rampant anti-Catholicism at its fore and which, unsurprisingly, was banned when it emerged; with this in mind, I love the way Mondo Macabro ended their description of it on the back cover: "It's a film that should be viewed only by those with very open minds"! Concerning two teenage girls' rebellion against their repressed upbringing by making a Satanic pact, in which they dedicate their lives to committing evil, it reminded me of other notorious "Chick Flicks" from the same era such as ALUCARDA (1975) and TO BE TWENTY (1978). The film doesn't have much of a plot and is deliberately paced, but it's held firmly together by the deliciously malevolent performances of the two leads (and particularly the untrained Jeanne Goupil, from whose viewpoint the events are related, and who subsequently hitched up with first-time director and former actor Seria!).
It seems to me that the reason the film is so obscure is that, when new, it was ahead of its time but, even now, it would be almost impossible to make (despite the ostensibly graphic nature of French cinema today) - featuring any number of shocking and potentially offensive images, which I won't spoil here for the uninitiated! Still, I have to mention the disturbing double rape inflicted - or, rather, invited - upon Catherine Wagener (though playing under-aged, the actress was actually 19 at the time) and the incredible finale, set inside a crowded school auditorium, which is sparked {sic} by the two girls' recital on stage of a strange poem by Baudelaire. The simple yet haunting music - performed on the organ or as a cantata - is highly effective, and the DVD extras (featuring, among others, separate interviews with Seria and Goupil) complement the film very nicely indeed.
- Bunuel1976
- 16 jun 2006
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Don't Deliver Us from Evil
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 42 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.66 : 1
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Principales brechas de datos
What is the Spanish language plot outline for No nos libres del mal (1971)?
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