Bahía de sangre

This is one of Bava's few films where everything works. It does exactly what it sets out to do. The minimalistic script makes no attempt at either character motivation or logic, but serves merely as an engine for the 13 bloody murders. Here the main pleasure, as in all subsequent body count movies, is in seeing in which new and inventive manner the next murder will be committed, but as usual, it is Bava's visual style which sets this film above Friday 13th and all it's imitators, as well as a knowing sense of humour and a pounding jazzy soundtrack. Here Bava's style is refined and reduced ad absurdam, with intermittent atmospheric interludes making use of the natural features of the landscape, from slow pans across the horizon, focus pulls through the foliage, and rapid zooms in and out of each bloody murder. It is true that the script loses its footing in the final quarter, unable to maintain the intensity throughout, but that fact notwithstanding, this is one of the finest films of its genre.