Agrega una trama en tu idiomaCesar is in love with Rosalie. But Rosalie isn't making it easy for him, especially when her old flame enters the picture.Cesar is in love with Rosalie. But Rosalie isn't making it easy for him, especially when her old flame enters the picture.Cesar is in love with Rosalie. But Rosalie isn't making it easy for him, especially when her old flame enters the picture.
- Premios
- 1 premio ganado en total
Eva Maria Meineke
- Lucie Artigues
- (as Eva-Maria Meineke)
Pippo Merisi
- Albert
- (as Pipo Merisi)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaVittorio Gassman was considered for the role of César and Gérard Depardieu for the role of David. Catherine Deneuve turned down the part of Rosalie because of her pregnancy.
- ConexionesFeatured in Montand à la rencontre de Pagnol (1986)
Opinión destacada
I was amazed from this film! Not only because I usually like Yves Montand and Romy Schneider, but because above all this is a film about human feelings and reactions.
Claude Sautet's works are not intellectual movies, but they have the quality of showing people in real life, with their strength and their weakness, we can find people who laugh and cry. They are films about life, there isn't necessarily an happy ending. (In Hollywood they're not able to talk to us about REAL persons.) Simple, isn't it? A director normally shows life, you may say. But in reality I don't think it's so easy. The risk is to talk about people with exaggerations and melodramatic elements. In movies like "César et Rosalie" we find common situations, people with whom we can identify and share feelings.
Here we have a woman who can't choose between two men... (Ingmar Bergman has another approach, in choosing psychological and darker aspects of people. It's another valid method.) I chose to comment this film because it's an example of intimate cinema, a way of telling stories which talk to hearts.
Claude Sautet's works are not intellectual movies, but they have the quality of showing people in real life, with their strength and their weakness, we can find people who laugh and cry. They are films about life, there isn't necessarily an happy ending. (In Hollywood they're not able to talk to us about REAL persons.) Simple, isn't it? A director normally shows life, you may say. But in reality I don't think it's so easy. The risk is to talk about people with exaggerations and melodramatic elements. In movies like "César et Rosalie" we find common situations, people with whom we can identify and share feelings.
Here we have a woman who can't choose between two men... (Ingmar Bergman has another approach, in choosing psychological and darker aspects of people. It's another valid method.) I chose to comment this film because it's an example of intimate cinema, a way of telling stories which talk to hearts.
- michelerealini
- 12 oct 2005
- Enlace permanente
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Cesar & Rosalie?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Cesar & Rosalie
- Locaciones de filmación
- Beaugency, Loiret, Francia(first scene, the painter's house, Rue de l'Evêché)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 5,063
- Total a nivel mundial
- USD 60,705
- Tiempo de ejecución1 hora 51 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.66 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
By what name was César et Rosalie (1972) officially released in India in English?
Responda