Cámara de tortura

A young man travels to Europe and visits the ancient castle of a rather notorious ancestor called Baron Blood, a man whose name is still not very popular in the surrounding villages. Seems the Baron was a bit of a sadist, just in case the "Baron Blood" title didn't give it away already. Our young hero, Peter, meets Elke Sommer, and instead of breaking into the castles dungeon in the middle of the night and having sex like any normal hot young couple in the early 70s,

these two brilliantly decide instead to perform a centuries old ritual designed to raise the dead. When will these people learn? The Baron rises, seen first as a Phantom-of-the-Opera type guy with a face like a spoiled casserole, and later as a wheelchair bound and Maybelline dependent Joseph Cotton.

This really isn't a bad little film. There's some great spooky lighting techniques, some even better funky music and some gorgeous shots of the European

countryside. The ancient, crumbling castle is a wonderful set and the death

scenes are quite gruesome, especially the one featuring an Iron Maiden-ish

casket and a guy who looks a LOT like the late great Peter Lorre. In a nice twist, there's even a centuries-dead witch who turns out to be the GOOD guy! (Or girl, as the case may be) The acting isn't that great, but it doesn't make this an unwatchable film by any means. The story seems loosely based on the life of

Vlad the Impaler, but still manages to be original and interesting. A nice feeling of dread permeates the entire film. One of Bava's best efforts.