¿Arde París?

Although Hitler somehow survived the failed July assassination attempt his paranoia increased. One of the few high-ranking officers he felt he could still trust was Dietrich von Choltitz. He had served Hitler well and was an officer who could be relied upon to obey orders implicitly. Hitler appointed him Governor-General of Paris with instructions to restore order and if need be destroy Paris rather than let it fall into Allied hands. Every bridge and monument was mined. This and the general insurrection led by the French Communist Party combined to make this a momentous and perilous time in the history of the French capital. As the Allies approached, von Choltitz rescinded Hitler's order. Seventy-five years on it is almost impossible to appreciate just how close Paris came to total destuction.

These events should, in theory anyway, provide sufficient material for a first-class movie, especially with René Clément at the helm.

In reality alas the film is a dud. One can try and find reasons. Personally I think it is down to a variety of factors: at a little under three hours it rambles; the newsreel footage is far more interesting and thrilling than the filmed action; there is an irritating mish mash of accents with some decidedly dodgy dubbing; there are too many writers and far too many famous faces. One critic at the time observed that the flames were extinguished by the shower of stars! The performance that stands out is that of Orson Welles as Swedish Consul Raoul Nordling, an unsung hero whose diplomatic relationship with von Choltitz assuredly influenced the latter's thinking. This relationship is very well depicted in Volker Schloendorff's film 'Diplomacy' with Niels Arestrup and Andre Dussollier as General and Consul.

The scene that really packs a punch is the sight and sound of the bell of Notre Dame which had been silenced for over four years. This is especially poignant in light of the recent fire that engulfed this monumental edifice. Clement has also included a rendition of 'La Marseillaise' which never fails to move. Needless to say the film was a tremendous success in France and Maurice Jarre's rather hurdy-gurdy 'Paris Waltz' theme extremely popular in its own right. Big budget plus well known actors equals great film? In this case decidedly not. Strange indeed that 'The Longest Day' which had no less than five directors, seems to work better than this with just the one. The real star of course is Paris itself.