CALIFICACIÓN DE IMDb
7.0/10
5.3 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaA band of Mexican gunrunners employed by a revolutionary General accept an American mercenary into their gang, unaware of his true intentions.A band of Mexican gunrunners employed by a revolutionary General accept an American mercenary into their gang, unaware of his true intentions.A band of Mexican gunrunners employed by a revolutionary General accept an American mercenary into their gang, unaware of his true intentions.
Gian Maria Volontè
- El Chuncho Muños
- (as Gian Maria Volonté)
- …
Jaime Fernández
- General Elías
- (as Jaime Fernandez)
Joaquín Parra
- Picaro
- (as Joaquin Parra)
José Manuel Martín
- Raimundo
- (as José Manuel Martin)
Sal Borgese
- Bandit
- (sin créditos)
Damiano Damiani
- Journalist with Gen. Elías
- (sin créditos)
Carla Gravina
- Rosario
- (sin créditos)
Rufino Inglés
- Capt. Enrique Sanchez Compoy
- (sin créditos)
Vicente Roca
- Hotelier
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaIt is rumored --to the point of almost being a legend--that director Damiano Damiani became so frustrated with Gian Maria Volontè and Klaus Kinski, two actors who were notorious for being difficult to work with, that one day they pushed him so hard that he beat them and whipped them on the set until they finally behaved and did as they were told.
- ErroresWhen the bolt action rifle are being used they never eject the spent cartridge upon being reloaded, showing them to be empty.
- Citas
[last lines]
El Chuncho: [to a beggar he gave money to earlier] Don't buy bread with your money! No, hombre! Buy dynamite! Dynamite! Dynamite! Dynamite!
- ConexionesFeatured in L'Oeil du cyclone: Westernissimo (1995)
- Bandas sonorasYa Me Voy
(uncredited)
Written by Luis Bacalov
Performed by Ramon Mereles
Courtesy of EMI General Music srl
Opinión destacada
I first read about this film in a great book about Spaghetti Westerns wherein every Italian western was presented in complete detail. It was a scholarly approach to the genre and has made me a fan for years. Known in the U.S. as A BULLET FOR THE GENERAL, it has a darker mood than Sergio Leone's DOLLAR trilogy and his masterpiece, DUCK, YOU SUCKER! (a.k.a. FISTFUL OF DYNAMITE), more angst ridden than Sergio Corbucci's A PROFESSIONAL GUN (a.k.a. THE MERCENARY) and more bleak than Corbucci's masterpiece, DJANGO (which spawned countless sequels that had nothing to do with the original and the only one worth mentioning is: DJANGO KILL!) which is difficult since the western was awash in a sea of mud that was the stage where the characters ruthlessly slaughtered each other.
I love the Italian approach to westerns because they create an atmosphere where John Wayne is not welcome. If the Duke were to enter their world, he would be shot in the back by some crazed revolutionary/bandit who wouldn't wait for a showdown in the street. Plus the Duke probably wouldn't be fast enough on the draw. A BULLET FOR THE GENERAL has plenty of mood, crazed revolutionaries/bandits, double-crossings, contempt for "gringos" (which makes me wonder about how the Italians think of us--are these films suppose to be "political statements" too?), gun fights and endless desolate landscapes that would make Sam Peckinpah drool with delight. There is no happiness to be found in this film and every fan of Spaghetti westerns would revel in it's excess.
A BULLET FOR THE GENERAL is great on this level and should have multiple viewings (check out Klaus Kinski as the bible thumping revolutionary who spouts credo with gunfire and Lou Castel as the cold-hearted gringo who doesn't drink, smoke, look at women but LOVES money). The only Spaghetti Western regulars missing from this one are: Franco Nero and Lee Van Cleef. Director Damiano Daminani has made a Spaghetti western cult classic in his own right. I want to see his other westerns. See it and you won't be sorry.
I love the Italian approach to westerns because they create an atmosphere where John Wayne is not welcome. If the Duke were to enter their world, he would be shot in the back by some crazed revolutionary/bandit who wouldn't wait for a showdown in the street. Plus the Duke probably wouldn't be fast enough on the draw. A BULLET FOR THE GENERAL has plenty of mood, crazed revolutionaries/bandits, double-crossings, contempt for "gringos" (which makes me wonder about how the Italians think of us--are these films suppose to be "political statements" too?), gun fights and endless desolate landscapes that would make Sam Peckinpah drool with delight. There is no happiness to be found in this film and every fan of Spaghetti westerns would revel in it's excess.
A BULLET FOR THE GENERAL is great on this level and should have multiple viewings (check out Klaus Kinski as the bible thumping revolutionary who spouts credo with gunfire and Lou Castel as the cold-hearted gringo who doesn't drink, smoke, look at women but LOVES money). The only Spaghetti Western regulars missing from this one are: Franco Nero and Lee Van Cleef. Director Damiano Daminani has made a Spaghetti western cult classic in his own right. I want to see his other westerns. See it and you won't be sorry.
- jbpott
- 13 oct 2000
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- A Bullet for the General
- Locaciones de filmación
- Guadix, Granada, Andalucía, España(train station)
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 58 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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Principales brechas de datos
What is the Mexican Spanish language plot outline for Quién sabe? (1967)?
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