CALIFICACIÓN DE IMDb
8.3/10
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TU CALIFICACIÓN
La madre del único heredero de un señor feudal es alejada de su marido y secuestrada por el señor. El marido y su padre samurái deben decidir si aceptan la decisión injusta o se arriesgan a ... Leer todoLa madre del único heredero de un señor feudal es alejada de su marido y secuestrada por el señor. El marido y su padre samurái deben decidir si aceptan la decisión injusta o se arriesgan a morir para recuperarla.La madre del único heredero de un señor feudal es alejada de su marido y secuestrada por el señor. El marido y su padre samurái deben decidir si aceptan la decisión injusta o se arriesgan a morir para recuperarla.
- Premios
- 7 premios ganados y 1 nominación en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaMost of the samurai in the film can be seen carrying two blades. This was a practice in Edo Japan known as daisho. Translated this literally means 'big-little'. The bigger blade was the katana, which was generally used for combat and duelling. The short sword was either the wakizashi or the tanto, the latter of which is most customarily associated with the ritual suicide of seppuku or Harakiri (translated as 'belly cut').
- ErroresAt 1:13:16 into the Criterion Collection DVD version, when the shot changes to Yogoro (played by Gô Katô)---just as he begins to verbally caution the lord and his retainers (after having delivered the petition)---there is a boom mic bobbing up and down about 10 inches above Gô's head, just on the edge of the frame. Then, in the same shot, as Gô is rising to his feet, the mic can be seen in front of his forehead. The mic then casts a shadow on his forehead just before the shot changes to a closeup of his face.
- Citas
Isaburo Sasahara: Each must live his own life.
- ConexionesFeatured in Film Review: International Films (1968)
Opinión destacada
If there is one thing to be said about this film, it is excellent in every detail - story, direction, cinematography, music, action, I could go on and on. There are few film makers who can turn a simple tale of feudal injustice into such a moving drama.
As the movie progresses, Toshiro Mifune's character slowly transforms into an epic hero - for his sense of honour and his love for his Son for which he is ready to defy his own honour-bound Samurai's oath, to rebel against the very world he lives in. The heroism and integrity of his sacrifice are presented in exquisite detail with poignant dialogue (even in subtitles). This in itself is an amazing achievement when the compared to the trend nowadays is to try to impress the viewer with visual trickery or mind-numbing fight sequences with excessive violence.
I truly appreciate Masaki Kobayashi for the respect he shows to his viewer's intelligence, for intelligently presenting the true heroism of a human standing up against impossible odds.As an exercise, you may compare this movie with the over-budgeted disaster of a Hollywood movie called "The Last Samurai" to know what I am talking about. With an excellent story and great characters with potential for true heroism, "The Last Samurai" is one of the dumbest movies ever made.
This is also no dumb "You killed my master so I will kill you" Hong Kong movie or a "Lone Wolf" movie with it's absurd and senseless blood-spilling. All of you Action movie fans, this is also not a beat-each-other-to-pulp or chop-you-up-like-a-fish movie.
The fight sequences are excellently executed and are almost the best that I have seen so far (The fight sequences in Harakiri must be THE BEST ever).The character of Tatsuya Nakadai is interesting as well in that it is not really clear what his true intentions are - he seems torn between his selfish desire to better Mifune's character in a duel bound up with his loyalty to his clan against his honour as a friend. Warning: So watch it if you enjoy an excellently told social drama and you will see what makes a masterly piece of art.
As the movie progresses, Toshiro Mifune's character slowly transforms into an epic hero - for his sense of honour and his love for his Son for which he is ready to defy his own honour-bound Samurai's oath, to rebel against the very world he lives in. The heroism and integrity of his sacrifice are presented in exquisite detail with poignant dialogue (even in subtitles). This in itself is an amazing achievement when the compared to the trend nowadays is to try to impress the viewer with visual trickery or mind-numbing fight sequences with excessive violence.
I truly appreciate Masaki Kobayashi for the respect he shows to his viewer's intelligence, for intelligently presenting the true heroism of a human standing up against impossible odds.As an exercise, you may compare this movie with the over-budgeted disaster of a Hollywood movie called "The Last Samurai" to know what I am talking about. With an excellent story and great characters with potential for true heroism, "The Last Samurai" is one of the dumbest movies ever made.
This is also no dumb "You killed my master so I will kill you" Hong Kong movie or a "Lone Wolf" movie with it's absurd and senseless blood-spilling. All of you Action movie fans, this is also not a beat-each-other-to-pulp or chop-you-up-like-a-fish movie.
The fight sequences are excellently executed and are almost the best that I have seen so far (The fight sequences in Harakiri must be THE BEST ever).The character of Tatsuya Nakadai is interesting as well in that it is not really clear what his true intentions are - he seems torn between his selfish desire to better Mifune's character in a duel bound up with his loyalty to his clan against his honour as a friend. Warning: So watch it if you enjoy an excellently told social drama and you will see what makes a masterly piece of art.
- mlredr
- 23 jun 2005
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- How long is Samurai Rebellion?Con tecnología de Alexa
Detalles
- Tiempo de ejecución2 horas 8 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was El samurai rebelde (1967) officially released in India in English?
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