El samurai rebelde

Name: Jôi-uchi: Hairyô tsuma shimatsu
Genre: Drama
Released: 1972-02-17
Duration: 2 h 8 min
Rating: 8.3
Cast: Toshirô Mifune, Yôko Tsukasa, Gô Katô

Título original: Jôi-uchi: Hairyô tsuma shimatsu

1967
Not Rated
2h 8min

CALIFICACIÓN DE IMDb

8.3/10

15 k

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Toshirô Mifune in El samurai rebelde (1967)

Period Drama Drama

La madre del único heredero de un señor feudal es alejada de su marido y secuestrada por el señor. El marido y su padre samurái deben decidir si aceptan la decisión injusta o se arriesgan a ... Leer todoLa madre del único heredero de un señor feudal es alejada de su marido y secuestrada por el señor. El marido y su padre samurái deben decidir si aceptan la decisión injusta o se arriesgan a morir para recuperarla.La madre del único heredero de un señor feudal es alejada de su marido y secuestrada por el señor. El marido y su padre samurái deben decidir si aceptan la decisión injusta o se arriesgan a morir para recuperarla.

Dirección
- Masaki Kobayashi
Guionistas
- Shinobu Hashimoto
- Yasuhiko Takiguchi
Elenco

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

8.3/10

15 k

TU CALIFICACIÓN

Dirección
- Masaki Kobayashi
Guionistas
- Shinobu Hashimoto
- Yasuhiko Takiguchi
Elenco

Ver la información de producción en IMDbPro

Premios
- 7 premios ganados y 1 nominación en total

Fotos20

+ 14

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Trivia
Most of the samurai in the film can be seen carrying two blades. This was a practice in Edo Japan known as daisho. Translated this literally means 'big-little'. The bigger blade was the katana, which was generally used for combat and duelling. The short sword was either the wakizashi or the tanto, the latter of which is most customarily associated with the ritual suicide of seppuku or Harakiri (translated as 'belly cut').

Errores
At 1:13:16 into the Criterion Collection DVD version, when the shot changes to Yogoro (played by Gô Katô)---just as he begins to verbally caution the lord and his retainers (after having delivered the petition)---there is a boom mic bobbing up and down about 10 inches above Gô's head, just on the edge of the frame. Then, in the same shot, as Gô is rising to his feet, the mic can be seen in front of his forehead. The mic then casts a shadow on his forehead just before the shot changes to a closeup of his face.

Citas
Isaburo Sasahara: Each must live his own life.

Conexiones
Featured in Film Review: International Films (1968)

Opiniones de usuarios61

Opinión

Opinión destacada

Worthy companion to HARAKIRI

SAMURAI REBELLION is not one of the best known Japanese films, although it deserves to be. It is very in theme to the masterful HARAKIRI from the same director, and with this film he matches that film's raw emotional power. It's a must for Toshiro Mifune fans.... he delivers one of his finest performances as a jaded elder samurai. He once again gets to share screen time with Tatsuya Nakadai, who has a small but memorable supporting role. The always reliable Toru Takemitsu delivers a fine score made up mostly of Japanese instruments, and Kobayashi's direction is flawless.... this film is filled with memorable set pieces, and it's just the sword fight scenes, although those are pretty incredible too. This is one of about six Kobayashi films available in the west (HARAKIRI, KWAIDAN, and the HUMAN CONDITION trilogy make up the rest)... that's a shame because, based on the quality of these works, he clearly stands among the greats of Japanese cinema.