CALIFICACIÓN DE IMDb
7.7/10
13 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaA young girl living in the French countryside suffers constant indignities at the hand of alcoholism and her fellow man.A young girl living in the French countryside suffers constant indignities at the hand of alcoholism and her fellow man.A young girl living in the French countryside suffers constant indignities at the hand of alcoholism and her fellow man.
- Premios
- 5 premios ganados y 1 nominación en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaIt was rumored for years that the trailer for this film was by Jean-Luc Godard, and he has recently confirmed this by programming it in a self-curated retrospective of his work. The trailer is virtually a miniature essay on (or subversion of) the film, jarringly inter-cutting excerpts from it with a written commentary that calls it "Christian and sadistic."
- Errores(at around 1 min) The canteen changes position after being dropped.
- ConexionesEdited into Bande-annonce de 'Mouchette' (1967)
- Bandas sonorasMagnificat
Written by Claudio Monteverdi
Performed by Les Chanteurs de St. Eustache
Conducted by R.P. Émile Martin
Opinión destacada
After I watched Bresson's "Au Hasard Balthazar" a few years ago, I was advised by a friend to watch "Mouchette" next. I told him I wasn't particularly struck by the character development and the portrayal of humans and emotions in the former, and learned that I had the exact same problems with the latter.
The girl is amazing. Her justified rebellious behavior and her unique and authentic appearance really shine in this movie. Also, the photography in the film is very well done, as I would have dared to expect from Bresson. Technically, this movie certainly is very good.
However, the way people interact in this movie often doesn't make sense to me. And I know movies aren't obligated to be realistic, but this movie certainly has a lot of ingredients on board to make you believe it's trying to be realistic. It's not an absurd or surrealistic film where you won't have to expect to be able to completely understand emotions and social situations. The consequence is - to me at least - that my compassion doesn't know how to handle the situation. First something sad happens, and I get moved, but then there's weird silences or poetic expressions (not necessarily verbal) which don't fit the realistic context and interrupt the immersion if you ask me.
Another friend of mine with whom I discussed this topic mentioned a good point however: perhaps you should let go of the expectation to be moved emotionally. Doesn't the movie just try to display the story, possibly telling you to accept life for what it is without necessarily trying to move you? Well observed, it's possible. I still believe the movie could benefit strongly if it was more emotionally involving though.
I have had this discussion with a lot of people about several movies, and it seems nobody either understands or agrees with me on this subject. Therefore, I'm even more aware of how subjective this point of view is. Obviously, this movie isn't a classic for no reason and I'm sure it has plenty of qualities that let people appreciate it so much. Not entirely my cup of tea though.
The girl is amazing. Her justified rebellious behavior and her unique and authentic appearance really shine in this movie. Also, the photography in the film is very well done, as I would have dared to expect from Bresson. Technically, this movie certainly is very good.
However, the way people interact in this movie often doesn't make sense to me. And I know movies aren't obligated to be realistic, but this movie certainly has a lot of ingredients on board to make you believe it's trying to be realistic. It's not an absurd or surrealistic film where you won't have to expect to be able to completely understand emotions and social situations. The consequence is - to me at least - that my compassion doesn't know how to handle the situation. First something sad happens, and I get moved, but then there's weird silences or poetic expressions (not necessarily verbal) which don't fit the realistic context and interrupt the immersion if you ask me.
Another friend of mine with whom I discussed this topic mentioned a good point however: perhaps you should let go of the expectation to be moved emotionally. Doesn't the movie just try to display the story, possibly telling you to accept life for what it is without necessarily trying to move you? Well observed, it's possible. I still believe the movie could benefit strongly if it was more emotionally involving though.
I have had this discussion with a lot of people about several movies, and it seems nobody either understands or agrees with me on this subject. Therefore, I'm even more aware of how subjective this point of view is. Obviously, this movie isn't a classic for no reason and I'm sure it has plenty of qualities that let people appreciate it so much. Not entirely my cup of tea though.
- bartkl-1
- 19 ago 2013
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- How long is Mouchette?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 21 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.66 : 1
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By what name was Mouchette (1967) officially released in India in English?
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