Agrega una trama en tu idiomaHigh school girl cruises Venice Beach on roller skates, looking for sexy adventures.High school girl cruises Venice Beach on roller skates, looking for sexy adventures.High school girl cruises Venice Beach on roller skates, looking for sexy adventures.
Desire Elms
- Natasha
- (as Desiré Elms)
- …
R.J. Reynolds
- Self
- (as Randy Radisure)
Carolyn Brandt
- Narrator
- (voz)
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- ConexionesFeatures Plato's Retreat West (1983)
Opinión destacada
Yet another dubious compilation film from Ray Dennis Steckler under his Cindy Lou Sutters nom de film. This one is worse than usual.
Tired format has two Peeping Thomasinas: girls on roller skates in Venice, California who in reaction shots are purportedly looking in windows at sex acts, though all we see is a face behind a curtain. Most of the fake peeping is by a "Mona Miller"; film ends with her lesbian scene (presumably newly shot bit of footage) of her hooking up at last with second peeper, her friend Chrissie.
Title derives from two of the segments involving that antiquated porn trope of eating whipped cream off a woman's body; in this case bananas are added (plus a cucumber dildo in one stag loop). MOS with insipid femme narration, film is terminally boring with generic stag film sex as content.
As in other Steckler loop carriers, the narration includes extraneous racist remarks, left in the DVD reissue for historical accuracy. One segment has a pizza man being humped, with several voice-over references to "Dago" included.
Worst offense here is inclusion of Steckler regular Mike Ranger, in outtakes wearing his familiar arm cast, so that he is inserted primping at a mirror or merely staring with SEG on his face, as if he were present during the sex scenes. Steckler has made a virtual mini-genre out of the film technique, dating back to classic Russian Silent Cinema, where cutting back and forth to a reaction shot changes the entire context of intervening footage. At least a dozen of his fake- movies are entirely built around this principle.
Antoinette Maynard and Oriita de Chadwick are the most recognizable performers in the recycled loop footage, and an orgy at an elaborate dinner party looked to me like either an excerpt scene or loop I had seen in a German film, appropriated (pirated?) for this junker.
Tired format has two Peeping Thomasinas: girls on roller skates in Venice, California who in reaction shots are purportedly looking in windows at sex acts, though all we see is a face behind a curtain. Most of the fake peeping is by a "Mona Miller"; film ends with her lesbian scene (presumably newly shot bit of footage) of her hooking up at last with second peeper, her friend Chrissie.
Title derives from two of the segments involving that antiquated porn trope of eating whipped cream off a woman's body; in this case bananas are added (plus a cucumber dildo in one stag loop). MOS with insipid femme narration, film is terminally boring with generic stag film sex as content.
As in other Steckler loop carriers, the narration includes extraneous racist remarks, left in the DVD reissue for historical accuracy. One segment has a pizza man being humped, with several voice-over references to "Dago" included.
Worst offense here is inclusion of Steckler regular Mike Ranger, in outtakes wearing his familiar arm cast, so that he is inserted primping at a mirror or merely staring with SEG on his face, as if he were present during the sex scenes. Steckler has made a virtual mini-genre out of the film technique, dating back to classic Russian Silent Cinema, where cutting back and forth to a reaction shot changes the entire context of intervening footage. At least a dozen of his fake- movies are entirely built around this principle.
Antoinette Maynard and Oriita de Chadwick are the most recognizable performers in the recycled loop footage, and an orgy at an elaborate dinner party looked to me like either an excerpt scene or loop I had seen in a German film, appropriated (pirated?) for this junker.
- lor_
- 30 jun 2015
- Enlace permanente
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- Tiempo de ejecución1 hora
- Color
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