CALIFICACIÓN DE IMDb
6.1/10
2.8 k
TU CALIFICACIÓN
Tong Huo-wan busca la compensación del hombre responsable de la muerte de su amo, pero se ve envuelto en una disputa entre un clan local y unos mafiosos.Tong Huo-wan busca la compensación del hombre responsable de la muerte de su amo, pero se ve envuelto en una disputa entre un clan local y unos mafiosos.Tong Huo-wan busca la compensación del hombre responsable de la muerte de su amo, pero se ve envuelto en una disputa entre un clan local y unos mafiosos.
- Dirección
- Guionista
- Elenco
Eun-joo Im
- Chung Cau-ping
- (as Yin-Ju Lin)
Szu-Cheng Mu
- Ngai Cong-long
- (as Chiang Kao)
Yeong-il Kim
- Laam-ceng
- (as Eagle Han)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaAllegedly filmed in between Jackie Chan's two Seasonal Productions movies, Snake in the Eagle's Shadow (1978) and Drunken Master (1978), but not released until after the success of the latter Seasonal Production due to Lo Wei's financial constraints. This movie was filmed as a Mandarin-language movie, yet the focus on the dubbing switched to Cantonese, due to the success of the Cantonese-language Seasonal movies, and other studios (i.e. Golden Harvest) beginning to lean into Cantonese as well. This is why most releases feature Cantonese as the only Chinese dialect option, despite the fact that the harder-to-find Mandarin track syncs up with most of the actors (save for the South Korean cast members) far more accurately.
- Versiones alternativasThe Japanese theatrical cut is only about 89 minutes (compared to the uncut 96 minutes of the Hong Kong cut), but features a primarily unique music track. While it uses some of the same music cues as the Hong Kong cut, most of the music is produced especially for this edition, including two vocal tracks: "Dragon Fist" and "Do or Die". Aside from this, the opening fight montage with Hsiu Hsia has been replaced with footage of Jackie Chan's penultimate fight from the finale, while the opening credits play over set to the aforementioned "Dragon Fist" theme. As of now, this version is only available on a late 2014 Japanese blu-ray (the earlier Japanese blu-ray only features the alternate opening as an extra.)
Opinión destacada
There's a special place in my heart for old school Jackie Chan films. For some reason, when I look to my JC collection for something to watch, I tend toward the older fare.
On the surface, DRAGON FIST is pretty average. But if you're an old school fan, you can't help rooting for virutally everyone in the film. Yan Yee Kwan (sometimes Yam Sai-kun) is one of my favorite bad guys; he was also excellent in Fearless Hyena, Once Upon a Time in China, Iron Monkey, and Heroic Trio. James Tien and Nora Miao bring a lot of respectability to the cast as well.
The plot offers some nifty twists. The fights are strong. I have to agree that the film takes itself just a little too seriously. If Jackie's early work could be measured on a "stiff-o-meter," DRAGON FIST would fall squarely between TO KILL WITH INTRIGUE and FEARLESS HYENA. Not coincidentally, that's about where it falls in his chronology.
Much of the charm of these films for American viewers -- and it can't be disregarded, especially for those of us who grew up in the 70s and 80s -- is the afternoon matinee "Kung Fu Theater" nostalgia factor. It imbues them with a quality that I can't ascribe to many of Jackie's later films. I love POLICE STORY, etc. -- the production values are generally much higher, the stunts are mindblowing -- but those are a different breed altogether. They occupy a different place in film history, and in my esteem.
On the surface, DRAGON FIST is pretty average. But if you're an old school fan, you can't help rooting for virutally everyone in the film. Yan Yee Kwan (sometimes Yam Sai-kun) is one of my favorite bad guys; he was also excellent in Fearless Hyena, Once Upon a Time in China, Iron Monkey, and Heroic Trio. James Tien and Nora Miao bring a lot of respectability to the cast as well.
The plot offers some nifty twists. The fights are strong. I have to agree that the film takes itself just a little too seriously. If Jackie's early work could be measured on a "stiff-o-meter," DRAGON FIST would fall squarely between TO KILL WITH INTRIGUE and FEARLESS HYENA. Not coincidentally, that's about where it falls in his chronology.
Much of the charm of these films for American viewers -- and it can't be disregarded, especially for those of us who grew up in the 70s and 80s -- is the afternoon matinee "Kung Fu Theater" nostalgia factor. It imbues them with a quality that I can't ascribe to many of Jackie's later films. I love POLICE STORY, etc. -- the production values are generally much higher, the stunts are mindblowing -- but those are a different breed altogether. They occupy a different place in film history, and in my esteem.
- kurtisroth
- 21 ago 2002
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By what name was El puño del dragón (1979) officially released in India in English?
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