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TU CALIFICACIÓN
Agrega una trama en tu idiomaTold in four different New Year's Eves in the mid 1960s, John, Terry, Debbie, Steve and Laurie deal with adulthood, the Vietnam war, peace rallies, and relationships.Told in four different New Year's Eves in the mid 1960s, John, Terry, Debbie, Steve and Laurie deal with adulthood, the Vietnam war, peace rallies, and relationships.Told in four different New Year's Eves in the mid 1960s, John, Terry, Debbie, Steve and Laurie deal with adulthood, the Vietnam war, peace rallies, and relationships.
Barry Melton
- Country Joe and the Fish
- (as Barry 'the Fish' Melton)
Argumento
¿Sabías que…?
- TriviaGeorge Lucas, inspired by Francis Ford Coppola's El padrino (parte II) (1974) wanted to make his sequel darker and more complicated. Writer and director Bill Norton thought that cutting between four different time frames would be too jolting for most of the audience and also didn't like the various film formats used for each of the four storylines. Years later, Lucas would admit that Norton was right.
- ErroresToad is a helicopter pilot, wearing the appropriate rank of a warrant officer, yet he is treated as a low-ranking enlisted man who takes orders from the First Sergeant and is placed on details for enlisted men. Normally, this would not be the case, as a warrant officer outranks a First Sergeant, and therefore would not carry out such tasks. Additionally, Toad's poor vision would have most-likely precluded him from being a helicopter pilot in the first place.
Terry the Toad holds the rank of a CW2 Chief Warrant Officer. The Sergeant berating him about latrine duty is a Staff Sergeant, not a Sergeant First Class. Also, US Army helicopter pilots are allowed to wear glasses as long as their vision is correctable with glasses to 20/20.
- Citas
Terry 'The Toad' Fields: Oh, come on, look at me, I'm a free man! The war is over, and I win!
- Créditos curiososThe current whereabouts of the characters are shown during the movie's final scene.
- Versiones alternativasThe original epilogue, similar to Locura de verano (1973)'s ending, revealing the fate of the primary characters, states that the Bolanders (Ron Howard and Cindy Williams) divorced a couple of years later. A newer version has no mention of a separation but, instead, states that Laurie works in Community Service.
Opinión destacada
I'm guessing a lot of folks that have complained about the split screen in MAG kid of missed yet another bit of cleverness that seemed to fly over the heads of a lot of viewers.
Each section (year) is shot in a different manner to make a secondary visual comment. The Vietnam stuff is all shot on 16mm, hand-held and grainy as hell to simulate the stuff we were watching on the nightly news back then.
Milner's sequences are shot in super widescreen, Debbie's stuff is split screen, sped up, slowed down - your basic "statement" crap from the late 60's and Ron Howard's happy home life is shot with the over-lit, over-tailored feel of a "mainstream" comedy ala Doris Day/Bob Hope circa 1965.
Personally, I found it amusing.
Each section (year) is shot in a different manner to make a secondary visual comment. The Vietnam stuff is all shot on 16mm, hand-held and grainy as hell to simulate the stuff we were watching on the nightly news back then.
Milner's sequences are shot in super widescreen, Debbie's stuff is split screen, sped up, slowed down - your basic "statement" crap from the late 60's and Ron Howard's happy home life is shot with the over-lit, over-tailored feel of a "mainstream" comedy ala Doris Day/Bob Hope circa 1965.
Personally, I found it amusing.
- axvictim
- 5 nov 2006
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- More American Graffiti
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 3,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 15,014,674
- Total a nivel mundial
- USD 15,014,674
- Tiempo de ejecución1 hora 50 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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