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TU CALIFICACIÓN
Sherlock Holmes investiga los asesinatos cometidos por Jack el Destripador y descubre una conspiración para proteger al asesino.Sherlock Holmes investiga los asesinatos cometidos por Jack el Destripador y descubre una conspiración para proteger al asesino.Sherlock Holmes investiga los asesinatos cometidos por Jack el Destripador y descubre una conspiración para proteger al asesino.
- Premios
- 5 premios ganados y 5 nominaciones en total
Geneviève Bujold
- Annie Crook
- (as Genevieve Bujold)
Tedde Moore
- Mrs. Lees
- (as Teddi Moore)
Argumento
¿Sabías que…?
- TriviaPeter O'Toole was originally cast as Sherlock Holmes, and Sir Laurence Olivier was cast as Dr. Watson. The two actors had not worked well together in the past, and were unable to overcome their differences for this movie.
- ErroresHolmes calls the cab that ran him over a Hansom. He was attacked by a four-wheeled carriage, and Hansoms had two wheels. Holmes had post-traumatic amnesia, didn't remember exactly what ran him down, and assumed it was a Hansom.
- Citas
Prime Minister Lord Salisbury: You have my word.
Sherlock Holmes: [Acidly] I would prefer some more reliable authority.
- Bandas sonorasGod Save the Queen
(uncredited)
Traditional
Arranged by Ivor Slaney
De Wolfe Music Ltd
Played at the opera
Opinión destacada
Before the advent of Jeremy Brett "Murder By Decree" had the finest Holmes/Watson/Lestrade teaming in Christopher Plummer, James Mason and Frank Finlay. It's too bad they have such a ridiculous story.
The good: the acting is impeccable. All except a strangely dull, murmuring Donald Sutherland; and a blustery Anthony Quayle. For a more lively Victorian Sutherland catch "The Great Train Robbery."
The bad: everything else. In most Holmes movies he's bounding around London in his famous deerstalker cap and his cape. It's no different here. Holmes even wears this preposterous costume to the opera.
In 1888 Holmes and Watson were impecunious young men sharing digs until their careers took off (Watson wasn't yet married). Here, in 1888, they are prematurely aged, like two old codgers unable to get by alone on their pensions.
The story this is based on (I read Stephen Knight's book when I was young and impressionable) has long been exploded. Of course, in a work of fiction (and Holmes stories are all fiction) they can do what they like but I'd rather have seen this Holmes/Watson combination in a more rousing tale.
It's really silly from the first. Spooky as the empty East End streets are and fine as they are in setting a mood, the streets in the East End of London were teeming with people day and night. One of the biggest mysteries of Jack the Ripper (if one hand was "Jack the Ripper"--we know the blanket name grouping a series of similar murders was an invention of the sensational "fake news" press) is how the victims were all taken to secluded areas. Obviously, the murderer(s) had to be denizens of that area, knowing where to go for seclusion and how to escape swiftly.
Other silly points of this story are the closed carriage. The thing about so-called Jack the Ripper is the facility with which he or she or they came and went with no one noticing anything. A fancy carriage would be noticed. But so would a man in a high hat and cape carrying a patent leather Gladstone doctors' bag: the stereotypical Ripper image.
Worth watching is Mason's competent, courageous, yet still humorous Watson (though I can't imagine a doctor who bravely operated on the field of battle being squeamish about the injuries suffered by "Ripper" victims).
It's a shame because Plummer and Mason are so perfect for their parts and so good. I'd like to have seen them do other Sherlock stories! Also, I've been a Mason myself for thirty years and though I grew disenchanted with them, the Masonic stuff is half-rubbish. But as an honorable fellow who won't violate his Masonic code, disenchanted or not, I can't say which half.
Not only do we have a first rate Holmes/Watson combination, we have a subtle, extra-canonical David Hemings. But I love Plummer, Mason (odd name for this yarn) and Finlay.
The good: the acting is impeccable. All except a strangely dull, murmuring Donald Sutherland; and a blustery Anthony Quayle. For a more lively Victorian Sutherland catch "The Great Train Robbery."
The bad: everything else. In most Holmes movies he's bounding around London in his famous deerstalker cap and his cape. It's no different here. Holmes even wears this preposterous costume to the opera.
In 1888 Holmes and Watson were impecunious young men sharing digs until their careers took off (Watson wasn't yet married). Here, in 1888, they are prematurely aged, like two old codgers unable to get by alone on their pensions.
The story this is based on (I read Stephen Knight's book when I was young and impressionable) has long been exploded. Of course, in a work of fiction (and Holmes stories are all fiction) they can do what they like but I'd rather have seen this Holmes/Watson combination in a more rousing tale.
It's really silly from the first. Spooky as the empty East End streets are and fine as they are in setting a mood, the streets in the East End of London were teeming with people day and night. One of the biggest mysteries of Jack the Ripper (if one hand was "Jack the Ripper"--we know the blanket name grouping a series of similar murders was an invention of the sensational "fake news" press) is how the victims were all taken to secluded areas. Obviously, the murderer(s) had to be denizens of that area, knowing where to go for seclusion and how to escape swiftly.
Other silly points of this story are the closed carriage. The thing about so-called Jack the Ripper is the facility with which he or she or they came and went with no one noticing anything. A fancy carriage would be noticed. But so would a man in a high hat and cape carrying a patent leather Gladstone doctors' bag: the stereotypical Ripper image.
Worth watching is Mason's competent, courageous, yet still humorous Watson (though I can't imagine a doctor who bravely operated on the field of battle being squeamish about the injuries suffered by "Ripper" victims).
It's a shame because Plummer and Mason are so perfect for their parts and so good. I'd like to have seen them do other Sherlock stories! Also, I've been a Mason myself for thirty years and though I grew disenchanted with them, the Masonic stuff is half-rubbish. But as an honorable fellow who won't violate his Masonic code, disenchanted or not, I can't say which half.
Not only do we have a first rate Holmes/Watson combination, we have a subtle, extra-canonical David Hemings. But I love Plummer, Mason (odd name for this yarn) and Finlay.
- aramis-112-804880
- 20 oct 2011
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Muerte por decreto
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- CAD 5,000,000 (estimado)
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By what name was Asesinato por decreto (1979) officially released in India in English?
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