CALIFICACIÓN DE IMDb
7.4/10
42 k
TU CALIFICACIÓN
Durante un picnic rural de verano, unas alumnas y una profesora de una escuela femenina de Australia desaparecen sin dejar rastro. Su ausencia frustra y atormenta a los que quedan atrás.Durante un picnic rural de verano, unas alumnas y una profesora de una escuela femenina de Australia desaparecen sin dejar rastro. Su ausencia frustra y atormenta a los que quedan atrás.Durante un picnic rural de verano, unas alumnas y una profesora de una escuela femenina de Australia desaparecen sin dejar rastro. Su ausencia frustra y atormenta a los que quedan atrás.
- Ganó 1 premio BAFTA
- 4 premios ganados y 11 nominaciones en total
Anne-Louise Lambert
- Miranda St Clare
- (as Anne Lambert)
Tony Llewellyn-Jones
- Tom
- (as Anthony Llewellyn-Jones)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaRussell Boyd reportedly enhanced the film's diffuse and ethereal look with the simple technique of placing a piece of bridal veil over the camera lens.
- ErroresAs the drag pulls out of Woodend, power poles are seen to the left of the screen, also, a television antenna is also seen on the roof of a house in the same scene.
- Versiones alternativasThe Director's Cut released in 1998 (available on Criterion DVD) is seven minutes shorter than the original version.
- ConexionesEdited into Picnic at Wolf Creek (2006)
- Bandas sonorasEine Kleine Nachtmusik, 2nd Movement
Written by Wolfgang Amadeus Mozart
Opinión destacada
I first saw PAHR while in high school, and it was the beginning of a long and drawn-out love affair with the film. The look, feel and sound of it drew me in at once, and the open-endedness of it appealed to my romantic teenage notions, striking me as being terribly, terribly profound. I searched out the book, and the sequel (both out of print in the US) and had a good long obsession over the film.
Years later, I still appreciate it deeply, but I realize now that if I were to see it for the first time today, I might not be quite so entranced. Yes, it is moody and beautiful, full of deliciously gossamar images, beautiful actresses, a haunting soundtrack, and a hypnotically slow and deliberate pace... but I can now see that it is a very youthful effort on Wier's part. It is decidedly a young director's film, firmly mired in the style of its era (the 70s). The heavy-handedness of the direction is evident in many ways, mostly in the repeated metaphors of Miranda as a swan, an angel, etc.... It has anachronistic costumes, makeup and hair, although the sets design is attractive and accurate enough.
However, let it be noted that the film is far more about symbolism and atmosphere than anything else, and on that front, it succeeds admirably. Among the highlights:
The repressed Victorian schoolgirls, whose burgeoning sexual longings are channeled into torrid, purple verse and close romantic friendships
The famous corset-lacing scenelet
The implied relationship between Mrs. Appleyard and the "masculine" Miss McCraw
The disappearance of only the "pure": Miranda (love), Marion (science), Miss McCraw (math), and the rock's rejecting Edith (gluttony), Irma (worldliness), and all men.
One might go on about the sexual imagery of the rock itself, with its monoliths and chasms, but I will refrain. Because after you've seen the movie, you realize how many times these things have been hammered into your head.
I still love this film dearly, despite the obviousness of it all. I wish that a soundtrack were available, as the original music is lovely. If you know a teenager, or are one, this is the movie for you. May your love affair with it go on as long as mine.
Years later, I still appreciate it deeply, but I realize now that if I were to see it for the first time today, I might not be quite so entranced. Yes, it is moody and beautiful, full of deliciously gossamar images, beautiful actresses, a haunting soundtrack, and a hypnotically slow and deliberate pace... but I can now see that it is a very youthful effort on Wier's part. It is decidedly a young director's film, firmly mired in the style of its era (the 70s). The heavy-handedness of the direction is evident in many ways, mostly in the repeated metaphors of Miranda as a swan, an angel, etc.... It has anachronistic costumes, makeup and hair, although the sets design is attractive and accurate enough.
However, let it be noted that the film is far more about symbolism and atmosphere than anything else, and on that front, it succeeds admirably. Among the highlights:
The repressed Victorian schoolgirls, whose burgeoning sexual longings are channeled into torrid, purple verse and close romantic friendships
The famous corset-lacing scenelet
The implied relationship between Mrs. Appleyard and the "masculine" Miss McCraw
The disappearance of only the "pure": Miranda (love), Marion (science), Miss McCraw (math), and the rock's rejecting Edith (gluttony), Irma (worldliness), and all men.
One might go on about the sexual imagery of the rock itself, with its monoliths and chasms, but I will refrain. Because after you've seen the movie, you realize how many times these things have been hammered into your head.
I still love this film dearly, despite the obviousness of it all. I wish that a soundtrack were available, as the original music is lovely. If you know a teenager, or are one, this is the movie for you. May your love affair with it go on as long as mine.
- Lanwench
- 5 feb 2000
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Picnic at Hanging Rock
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- AUD 440,000 (estimado)
- Total en EE. UU. y Canadá
- USD 49,582
- Fin de semana de estreno en EE. UU. y Canadá
- USD 27,492
- 28 jun 1998
- Total a nivel mundial
- USD 83,078
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By what name was Picnic en Hanging Rock (1975) officially released in India in English?
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