CALIFICACIÓN DE IMDb
6.3/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaIn 1873, four petty criminals - three men and a pregnant woman - wander through the trackless terrain of Utah, where they are hounded by a sadistic bandit.In 1873, four petty criminals - three men and a pregnant woman - wander through the trackless terrain of Utah, where they are hounded by a sadistic bandit.In 1873, four petty criminals - three men and a pregnant woman - wander through the trackless terrain of Utah, where they are hounded by a sadistic bandit.
Charles Borromel
- Montana - Altaville Townsman
- (sin créditos)
Massimo Ciprari
- Salt Flat Deputy
- (sin créditos)
Michael Janisch
- Altaville Townsman
- (sin créditos)
Salvatore Puntillo
- Recovering Man
- (sin créditos)
Lorenzo Robledo
- Sheriff Being Tortured
- (sin créditos)
Claudio Ruffini
- First Shot Gunman
- (sin créditos)
Goffredo Unger
- Betting Man
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaTomas Milian patterned his portrayal of Chaco on Charles Manson.
- ErroresThe opening narration states that the story is set in 1873. However, when Bud is wandering through the cemetery, reading tombstones aloud, he says, "Mary Donahue, died in childbirth, February 1884."
- Citas
Chaco: Chaco is the name my friend, and I would be very happy to join your group.
Stubby Preston: Nobody invited you.
Chaco: But I did. I'm a damn good hunter you know. Wherever you go you'll have a piece of meat every day.
- Versiones alternativasThe original US release cut the most graphic moments from a scene in which Tomas Milian cuts some skin off of a man's stomach, as well as cutting some dialogue from the climactic scene in which Milian taunts Fabio Testi about Milian's earlier rape of Lynne Frederick. Both scenes have been restored in Anchor Bay's recent DVD release. However, because neither scene was ever dubbed into English for the original release, these scenes are in Italian with English subtitles.
- ConexionesEdited into Fulci of the Apocalypse (2001)
- Bandas sonorasMovin' On
Music by Franco Bixio, Fabio Frizzi, & Vince Tempera
Words by Rink Greenfield & Peter Cook
Sung by Rink Greenfield (as Greenfield) & Peter Cook (as Cook) and Benjamin Franklin Group
Opinión destacada
I'm a fan of Fulci's work but until now had only ever seen the splatter movies from his mid- to-late career. On the basis of this, I will dig deeper and check out more of his earlier films.
This is a very strange Western, beautifully shot with a bizarre psychedelic score. Performances are good, theatrical and a little overblown (the dubbing never helps), but they fit well within this unusual morality play.
The film is loaded with symbolism, concerned with themes of birth, death and redemption. Fulci was an artful director when he wanted to be, but never concerned himself with linear plots. The story here is easier to follow, but takes an interesting turn towards the end when Stubby and Bunny find the town populated by men. Pacing up to this point was sharp, but here things did drag a little.
There are some well-handled action sequences, a little hard-boiled violence (but leagues away from the incredible sadism of something like 'New York Ripper') and some humorous touches, mainly provided by the character of Clem, the town drunk. The whole thing has an acid-fried feel that's a bit redolent of Jodorowsky.
Worthy of repeated viewings and further study. The conventions of the Western have provided a great canvas for many auteurs - Fulci makes the most of stock characters and visual cues, imbuing them with all the sub-text he wanted to get across.
I'll definitely check out 'Massacre Time' after this. Anyone who's been bored or insulted by the director's later stuff like 'Voices From Beyond' should watch this and see the full breadth of the grumpy old feller's ability.
This is a very strange Western, beautifully shot with a bizarre psychedelic score. Performances are good, theatrical and a little overblown (the dubbing never helps), but they fit well within this unusual morality play.
The film is loaded with symbolism, concerned with themes of birth, death and redemption. Fulci was an artful director when he wanted to be, but never concerned himself with linear plots. The story here is easier to follow, but takes an interesting turn towards the end when Stubby and Bunny find the town populated by men. Pacing up to this point was sharp, but here things did drag a little.
There are some well-handled action sequences, a little hard-boiled violence (but leagues away from the incredible sadism of something like 'New York Ripper') and some humorous touches, mainly provided by the character of Clem, the town drunk. The whole thing has an acid-fried feel that's a bit redolent of Jodorowsky.
Worthy of repeated viewings and further study. The conventions of the Western have provided a great canvas for many auteurs - Fulci makes the most of stock characters and visual cues, imbuing them with all the sub-text he wanted to get across.
I'll definitely check out 'Massacre Time' after this. Anyone who's been bored or insulted by the director's later stuff like 'Voices From Beyond' should watch this and see the full breadth of the grumpy old feller's ability.
- noahbbrown
- 21 jun 2009
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Four of the Apocalypse...
- Locaciones de filmación
- Austria(Altaville scenes)
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 44 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the German language plot outline for I quattro dell'Apocalisse (1975)?
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