Un abogado ve la oportunidad de salvar su carrera y autoestima llevando un caso de negligencia médica a juicio en lugar de llegar a un acuerdo.Un abogado ve la oportunidad de salvar su carrera y autoestima llevando un caso de negligencia médica a juicio en lugar de llegar a un acuerdo.Un abogado ve la oportunidad de salvar su carrera y autoestima llevando un caso de negligencia médica a juicio en lugar de llegar a un acuerdo.
- Nominado a 5 premios Óscar
- 3 premios ganados y 14 nominaciones en total
- Dr. Gruber
- (as Lewis Stadlen)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaPaul Newman did Frank Galvin's closing statement in one take.
- ErroresIn the climactic courtroom scene, when Frank calls Kaitlin to the stand, Concannon is flustered and confers with one of his lawyers. The lawyer then leaves the courtroom, presumably having been given some direction by Concannon. Later, after Kaitlin has been questioned by Frank and cross-examined by Concannon, the lawyer returns with a book containing the case Concannon cites to get the judge to disallow the admittance of the photocopy of the hospital admission form as evidence. However, at the point at which Concannon calls the lawyer over and then, presumably, sends him out to "find" this book/case, he doesn't even know about the existence of the photocopy because he hasn't yet questioned Kaitlin; it's during his questioning of Kaitlin that she reveals she has a photocopy of the form. So there's no way the lawyer would have known to go out and find a case regarding the inadmissibility of a photocopy.
- Citas
[Frank is giving his summation to the jury]
Frank Galvin: You know, so much of the time we're just lost. We say, "Please, God, tell us what is right; tell us what is true." And there is no justice: the rich win, the poor are powerless. We become tired of hearing people lie. And after a time, we become dead... a little dead. We think of ourselves as victims... and we become victims. We become... we become weak. We doubt ourselves, we doubt our beliefs. We doubt our institutions. And we doubt the law. But today you are the law. You ARE the law. Not some book... not the lawyers... not the, a marble statue... or the trappings of the court. See those are just symbols of our desire to be just. They are... they are, in fact, a prayer: a fervent and a frightened prayer. In my religion, they say, "Act as if ye had faith... and faith will be given to you." IF... if we are to have faith in justice, we need only to believe in ourselves. And ACT with justice. See, I believe there is justice in our hearts.
[he sits down]
- Versiones alternativasNBC edited 33 minutes from this film for its 1985 network television premiere.
- ConexionesFeatured in At the Movies: Tootsie/The Verdict/Sophies Choice/Airplane II (1982)
Newman plays an attorney who needs to pull himself together from his drinking problem in order to win a lawsuit surrounding the case of a woman suffering severe brain damage at a hospital. It should come as no surprise that Newman completely immerses himself in the role in a way only Paul Newman can be expected to. The dialogues are another main part of the movie's most intriguing aspects, flowing so well together that it's almost impossible to lose attention of what's happening. At its heart, the movie is not just a courtroom drama, it's about humans dealing with their personal conditions and problems, and it's a movie which knows how to form a bond with viewers and keep them connected to the characters.
Sadly, the movie has not reached a status as a classic of the 1980's. Perhaps it simply was not memorable enough to most viewers, or perhaps it is too fine a movie in a decade remembered mostly for action movies, horror flicks or comedies. However, if you love watching a great performance in a great movie, then "The Verdict" cannot be recommended highly enough.
- Councillor3004
- 9 sep 2017
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Detalles
Taquilla
- Presupuesto
- USD 16,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 53,977,250
- Fin de semana de estreno en EE. UU. y Canadá
- USD 100,982
- 12 dic 1982
- Total a nivel mundial
- USD 53,993,738