Douglas Trumbull's early attempt at depicting Virtual Reality in a film is a mixed affair, but remains fascinating. Its solid cast and good production values are somewhat let down by the muddled script and inexperienced direction (this was to be Trumbull's second - and final, Directing gig).
The film is caught in odd Catch 22 - much of its technology has been both long since been surpassed (the Mylar tape & laser show!), and, in other areas, not reached yet - true emotions and sensations transmitted via VR. As expected from Trumbull, the special effects are solid if not as spectacular as his work on 2001, BLADE RUNNER and CLOSE ENCOUNTERS. Originally conceived as a feature film test for his high frame rate Showscan process, Trumbull had to settle for 70mm and a wider aspect ratio for it's VR scenes. There is no question that true Showscan would have made for a more impressive visual experience, even if only in limited locations.
Douglas Trumbull is one of cinema's true visionaries, but a smooth accomplished Director he wasn't. As in SILENT RUNNING, the ideas and visuals outstrip his ability to do them full justice. Still, BRAINSTORM has more solid ideas than 99% of SF films even attempt. The film's love for Science, from the gadgets to the photos of Einstein, to the self-sacrifice of the wonderful Louise Fletcher, this is a movie that celebrates the world of knowledge. And, damn, Christopher Walken that off-the-wall even then!!?? Sadly, poor Natalie Wood looked very tired (her death during filming cast a pall over its release). Cliff Robertson is decent as the head of the experimental lab. Still, it is Fletcher who becomes the heart and literal soul of the production. Her Lillian Reynolds is an exceptional depiction of the dedicated scientist who lets no obstacle get in the way of her pursuits. It is because of Fletcher and the film's concepts that makes the film endure, whatever its flaws.
