Al filo de la realidad

An affectionate homage to the old TV series. Three old episodes were updated and a new one was written. It's also narrated by Burgess Meredith who starred in quite a few of the original TV series episodes.

It starts off with a quick little prologue with Albert Brooks and Dan Aykroyd. It's quick, funny and provides a nice little jolt.

The first segment was newly written for the movie. It involves a bitter and racist man (Vic Morrow) getting a taste of his own medicine. This episode is clouded by the three deaths it caused--Morrow was decapitated by a helicopter blade and two Vitenamese children were crushed. John Landis (who directed this) was found not guilty in the deaths. As it stands this isn't very good. It's simplistic and heavy-handed--like a bad Zone episode.

The second one is directed by Steven Spielberg. It involves an old man (Scatman Crothers) gently bringing to life the old people at a retirement home. I'll be the first to admit that this is way too syrupy--but I have a fondness for it. The acting is good, it has a great music score and, I admit, it leaves me a little misty-eyed.

The third is directed by Joe Dante. It's a remake about a little boy who can make all of his wishes come true. It's well-directed with some truly incredible special effects and a good performance by Kathleen Quinlan. But it's seriously damaged by a silly happy ending (the original didn't have that). Billy Mumy (the star of the original) has a bit part and Dante regular Dick Miller shows up as Walter Paisley.

The fourth is the best. It's directed by George Miller and is a remake of the William Shatner episode where he spots a gremlin tearing apart the plane he's flying on. The gremlin in the original looked pretty ridiculous--like a teddy bear. Here John Lithgow plays the passenger and the gremlin is more than a little scary-looking. This segment moves and has a few great jolts. Also Carol Serling (Rod Serling's wife I believe) has a bit part.

All in all an enjoyable film. I liked it when I saw it in a theatre in 1983 and it still holds up today. I give it an 8.