CALIFICACIÓN DE IMDb
6.9/10
10 k
TU CALIFICACIÓN
Un psiquiatra que vive en Viena entabla una tórrida relación con una mujer casada. Cuando ella acaba en el hospital por una sobredosis, un inspector se empeña en descubrir cómo terminó su av... Leer todoUn psiquiatra que vive en Viena entabla una tórrida relación con una mujer casada. Cuando ella acaba en el hospital por una sobredosis, un inspector se empeña en descubrir cómo terminó su aventura.Un psiquiatra que vive en Viena entabla una tórrida relación con una mujer casada. Cuando ella acaba en el hospital por una sobredosis, un inspector se empeña en descubrir cómo terminó su aventura.
- Dirección
- Guionista
- Elenco
- Premios
- 3 premios ganados en total
Rob Walker
- Konrad
- (as Robert Walker)
Rudolf Bissegger
- Giovanni
- (as Rudolph Bisseger)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaDirector Nicolas Roeg and actress Theresa Russell fell in love during the shoot and married. Russell was 22 years old at that time, while Roeg was already 52 years old. They had two children, but divorced later.
- ErroresNear the beginning of the movie, when the Czechoslovakian border guard checks the names on his list, the list contains several Czech swear words instead of personal names and occupations ("Mrdac," "Kurevnik," "Prdelac"...).
- Citas
Alex Linden: You tell the truth about a lie so beautifully.
- Versiones alternativasThe BBFC made one cut to the film in the UK before theatrical release. The cut footage juxtaposes an image of lovemaking with a shot of a child. This was re-edited into separate shots due to concerns about the Child Protection Act, and all versions available worldwide are the re-edited version.
- ConexionesFeatured in Lights, Camera, Action!: A Century of the Cinema: Let's Make Love (1996)
Opinión destacada
I've just returned after seeing this movie and it has messed your dude up. This was my life for the two years I spent with my Milena. The parallels are uncanny. I am kind of nerdy just like Garfunkel...same pathetic physique...but like Garfunkel I have a certain magnetism. Garfunkel's not exactly a wimp...there's some steel in his gaze. My Milena was just as magnetic and beautiful as Theresa Russell...really. My Milena also lived in a sordid, messy, sexy aerie with a big bed, overfull ashtrays, half-read books everywhere. The alcohol? Check. The infidelity? Check. The suicide attempts? Check. The much older other man? Check. The sleazy, disgusting party friends? Check. The late-night drunk calls that may or may not have been suicide attempts? Check. The intense sex that regularly turned into something twisted? Check. Just like Garfunkel I was hooked...just like Garfunkel I had a "together" life...my God, I even study psychoanalysis...and just like Garfunkel there was more than a hint of bad faith in the togetherness I opposed to my Milena's sloppiness. Like Garfunkel, the idea that Milena had other lovers made me crazy...like Theresa Russell, my Milena needed secrets...lies...she couldn't breathe without her lies and secrets.
The scene where she sets Garfunkel up with her fake suicide attempt only to loose the full force of her hysterical cruelty on him...check...down to the blows and the broken bottles...and it marked the moment our love died, even if things dribbled on for a while after that.
Anyway...you get the picture. You know a movie is good when it shows you things about YOUR OWN life that you hadn't noticed before. That's the secret of a great movie: you feel like it's talking to you and to you alone. I have a feeling I'm not the only person who walked out of the cinema feeling like he had just seen his own life on the screen. Almost everything is perfect. This film is even more disturbing than DON'T LOOK NOW. That is saying a lot. The one wrong note for me was Harvey Keitel. I liked the contrast of his healthy virility with Garfunkel's nerdiness...but Keitel got something wrong. Not sure what...it was certainly a tricky role, and he wasn't exactly bad, but something was wrong.
The scene where she sets Garfunkel up with her fake suicide attempt only to loose the full force of her hysterical cruelty on him...check...down to the blows and the broken bottles...and it marked the moment our love died, even if things dribbled on for a while after that.
Anyway...you get the picture. You know a movie is good when it shows you things about YOUR OWN life that you hadn't noticed before. That's the secret of a great movie: you feel like it's talking to you and to you alone. I have a feeling I'm not the only person who walked out of the cinema feeling like he had just seen his own life on the screen. Almost everything is perfect. This film is even more disturbing than DON'T LOOK NOW. That is saying a lot. The one wrong note for me was Harvey Keitel. I liked the contrast of his healthy virility with Garfunkel's nerdiness...but Keitel got something wrong. Not sure what...it was certainly a tricky role, and he wasn't exactly bad, but something was wrong.
- FrostyChud
- 11 ago 2013
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Bad Timing: A Sensual Obsession
- Locaciones de filmación
- 2 Schönbrunner Schloßstraße, Viena, Austria(Milena's apartment, now demolished)
- Productoras
- Ver más créditos de la compañía en IMDbPro
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Principales brechas de datos
By what name was Bad Timing (1980) officially released in India in English?
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